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Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.

Don Bluth

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Don Bluth
Age: 87
Born: 1937
Born: September 13
Animator
Character Animator
Film Director
Film Producer
Screenwriter
El Paso
Texas
Donald Bluth
Donald Virgil Bluth
Takes
Clam
Sort
Clams
Film
Closes
Everything
Enters
Work
Opens
Like
Studio
Studios
Enormous

More quotes by Don Bluth

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The only one that seems to be able to hold the business is Disney. They do it is because they have a fabulous philosophy about marketing- but even they wavered.
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It just seems like the whole, overall animation world is trying to go where maybe animation doesn't belong.
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If the machines can take the drudgery out of it and just leave us with the joy of drawing, then that's the best of both worlds - and I'll use those computers!
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We'd love to do Space Ace 3D. It has a lot of potential. But, it is really up to the publishers.
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I remember when we were doing the first Dragon's Lair, I got really involved with coming up with all the little rooms and what was the danger in the room and going into it with bats and spiders and snakes.
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In the animation world, people who understand pencils and paper usually aren't computer people, and the computer people usually aren't the artistic people, so they always stand on opposite sides of the line.
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There's about 260 rooms in the new castle which you go through, but it's all about the game play.
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I have never seen a game's graphics look so sharp and clean. The sound design for the game is also unique on the Xbox. The memory on this system allowed us to provide the user with 5.1 Dolby surround sound for home theatre owners.
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Shelf-life for a regular video game usually is about three to five years, and that's it.
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You just can't keep pouring money down an endless hole and never recoup any of it. It's got to be a business.
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I think the work that they do and the style of 3D graphics is absolutely fabulous and I think it's a great brush to use for some stories. And there are other brushes that I think are exclusive to a different kind of story.
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You've got to be able to make animation for much less... Less is not the studio's way.
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The studios will go wherever they smell money. It's like sharks to the blood.
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We're waiting for the pendulum to swing back again, which I am absolutely confident it will.
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The marketing department is really an important part of getting an animated film to work. If the people running it are used to selling live action films and the hard rock music and the sex and all those things... Anything outside that, they just don't know what to do with it.
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Basically the children who watch it just see the little characters they love, and so they're not discerning about whether it looks great or it's a great story or anything.
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If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.
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I'm also very pleased that we were able to include a full orchestrated score for Dragon's Lair 3D. The 40 different music pieces blend with the action to make you feel more a part of the whole adventure.
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I think we have to bottom out. When the studios jump out of the ring, perhaps the artist can get back in.
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As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.
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