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Music, art, and literature are inseparable for me. How does composition evolve in a music and art context? It's a question we can never answer: it only asks for more information and generates more questions.
DJ Spooky
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DJ Spooky
Age: 54
Born: 1970
Born: September 6
Composer
Disc Jockey
Musician
Record Producer
Washington
District of Columbia
Paul D. Miller
That Subliminal Kid
Asks
Composition
Literature
Context
Art
Evolve
Doe
Questions
Music
Answer
Never
Question
Answers
Generates
Information
Inseparable
More quotes by DJ Spooky
I'm passionate about the fact that this world that we live on is a stunningly beautiful place we have despoiled at every level.
DJ Spooky
I wanted to do is kind of invoke that and then dive into that kind of repetition as a DJ thing because DJing you hear beats, like boom, boom, boom, bap, bap. You know hip hop, house, techno. So how do you translate between those electronic motifs and the motifs of the landscape itself? That is what I wanted to go for.
DJ Spooky
I'm talking like just the beauty, but at the same time to get people to realize that we should treasure it. Maybe visualize it, but leave it alone. A
DJ Spooky
I like the idea of it as a trickster motif. You know like you're kind of just messing around with people's memories of songs.
DJ Spooky
You're only as good as your record collection.
DJ Spooky
I can only wonder what astronauts must feel like or something like that when you're really in the space of silence and you are feeling and breathing in a way that you're really aware of your muscle and bone and the breath and the body and the movement and all of those things that just you take for granted in the urban landscape.
DJ Spooky
What I wanted to try and figure out was, okay, in contemporary 21st century life the alienation between the self and the land around you or the self and even the urban landscape. You name it.
DJ Spooky
My work is all about creating new paths for thinking about the possibilities inherent in all art another world is possible!
DJ Spooky
Usually bands would make a song to record for an album, but what happens with the deejays you say Well the album is everything we need. Thanks band. You can go away now.
DJ Spooky
So he [Sigmund Freud] called this the uncanny and he also referred to cities as well, like the idea of walking through the city and the way the urban landscape could lead you to a sense of disorientation and to a kind of, you know, sense of repetition. And the way a city can unfold as you walk.
DJ Spooky
It's strange to think that culture is simply a matter of millions of files flying around, but we now think in terms of networks for everything.
DJ Spooky
It's like the iPod playlist has killed the way we think of the normal album, so let's think of this as just saying you go into your record store and all those categories and all those different ways of segregating music have been thrown out the window, so the difference between myself in real life in that is that I'm the opposite.
DJ Spooky
There is a complexity and layering that goes on with this kind of thing, so the music is slightly repetitive and when I say repetitive it's in the same tradition as people like Steve Reich or Erik Satie or even WC.
DJ Spooky
You know, in the sentence of humanity this place needs to be a parentheses. And when I say parentheses I mean I'm talking like you go around it. Leave it alone. Let it exist. And what I want people to see with this film is not only a respect for this place from the bottom of my heart.
DJ Spooky
The easiest thing I can say is simple, but paradoxical in this era of total sampling: Be original.
DJ Spooky
I think science fiction and sound is a really interesting thing. You might as well think of it as sonic fiction.
DJ Spooky
What I'm going for with the string arrangements for my Antarctic symphony is a pun here.
DJ Spooky
The name [Spooky] comes from well back in university I was doing a series of essays and writing about Sigmund Freud's idea of the uncanny and I was really intrigued by this idea of The Unheimlich.
DJ Spooky
When you think about a composer you know like Wagner or Pier Boulez or something like that most of the issues a composer is working with are about discreet, notated music that someone else will play.
DJ Spooky
Now if you think about the 20th century and the idea of visual vocabulary the album occupies a really important space in the cultural landscape and, above all.
DJ Spooky