Quote

Most people walk around with headphones on. They're barely encountering or dealing with their fellow person, or if they're in a car they're in this kind of cocoon, stuck in suburban rush hour traffic or something.

DJ Spooky

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TAGS & TOPICS

DJ Spooky
Age: 54
Born: 1970
Born: September 6
Composer
Disc Jockey
Musician
Record Producer
Washington
District of Columbia
Paul D. Miller
That Subliminal Kid
Persons
Fellows
Cocoons
Person
Stuck
Suburban
Kind
Hour
Headphones
Something
Car
Barely
People
Walk
Rush
Walks
Traffic
Hours
Dealing
Encountering
Around
Fellow
Cocoon

More quotes by DJ Spooky

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Sound... if you look at bats you know that navigate with sonar, they're like you know they're very precise. They can even see a bat head towards a building and swerve away, but you'll see a bird that doesn't... you know smash right into a glass window. It's very funny.
DJ Spooky
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I wanted to do with Antarctica was say let's hit the reset button on that and see what happens to your creative process. Let's go to the most remote place that you can imagine, set up a studio and see what music comes out of it.
DJ Spooky
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When you think about a composer you know like Wagner or Pier Boulez or something like that most of the issues a composer is working with are about discreet, notated music that someone else will play.
DJ Spooky
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My work is all about creating new paths for thinking about the possibilities inherent in all art another world is possible!
DJ Spooky
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What I'm going for with the string arrangements for my Antarctic symphony is a pun here.
DJ Spooky
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I'd say most of my work is just trying to make sense of the disorienting and overloaded world that we inhabit. We're bombarded with sound at every level.
DJ Spooky
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I felt like on one hand the clarity of thought was amazing, but on the other we went during Antarctic summer, so the sun didn't set the whole time we were there.
DJ Spooky
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There is a complexity and layering that goes on with this kind of thing, so the music is slightly repetitive and when I say repetitive it's in the same tradition as people like Steve Reich or Erik Satie or even WC.
DJ Spooky
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I'm talking like just the beauty, but at the same time to get people to realize that we should treasure it. Maybe visualize it, but leave it alone. A
DJ Spooky
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I have to deal with some dumb folks. It's a real drag.
DJ Spooky
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We live in a world so utterly infused with digitality that it makes even the slightest action ripple across the collection of data bases we call the web.
DJ Spooky
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You know we're in a planet surrounded by certain kinds of frequencies and noise. The earth's magnetic sphere makes weird sounds. The sun you know the heart of our solar system makes noise. Even interstellar phenomena like black holes. You know people have studied them and a black hole can emit sound in like the range of 20,000 octaves below B flat.
DJ Spooky
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So sound art I'm always intrigued with how little we use of other senses and we just prioritize the eye and you just want to see everything and navigate. You know the art world is similar. Like I wish people would use their ears a lot more.
DJ Spooky
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So the physicality of that and the just the sheer lack of urban noise and machinery - just the wind, the water and your breath, you know that kind of thing - it was pure poetry and you know I treasure that.
DJ Spooky
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Usually bands would make a song to record for an album, but what happens with the deejays you say Well the album is everything we need. Thanks band. You can go away now.
DJ Spooky
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I like the idea of it as a trickster motif. You know like you're kind of just messing around with people's memories of songs.
DJ Spooky
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Now if you think about the 20th century and the idea of visual vocabulary the album occupies a really important space in the cultural landscape and, above all.
DJ Spooky
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So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
DJ Spooky
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I wanted to do is kind of invoke that and then dive into that kind of repetition as a DJ thing because DJing you hear beats, like boom, boom, boom, bap, bap. You know hip hop, house, techno. So how do you translate between those electronic motifs and the motifs of the landscape itself? That is what I wanted to go for.
DJ Spooky
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The easiest thing I can say is simple, but paradoxical in this era of total sampling: Be original.
DJ Spooky