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I would rather have 10 people working on a record that are really committed and believe in it and love it, than 50 people who have no idea who I am or what I'm for.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Ideas
Believe
Really
Committed
Would
Record
Love
Records
People
Working
Rather
Idea

More quotes by DJ Shadow

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I've always been compared to people. It's a revolving cast that comes and goes - obviously, sometimes people stay.
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I always consider every album to be a snapshot.
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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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My core values are still the same about music, and my work ethic, and what I want to represent to people.
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I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
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There are a lot of music startups that don't have anything to do with anyone's love for music. It has to do with them having a glorious IPO and then retiring to the Bahamas somewhere. It's important to keep that in mind.
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I was asked to do TV ads for Macintosh. Nowadays, I think anybody would jump at that but, at the time, it didn't feel appropriate for what I was trying to stand for.
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One of my favorite things that Yahoo does on a regular basis is this story: Wealthiest Rap Artists. That's an example of the internet just perpetuating this myth that we're all just sitting around in these mansions like Steven Tyler, bopping around in our swimming pool. It's bullshit.
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I couldn't make a real drum'n'bass or dubstep record to save my life. But I can be influenced by them in small ways.
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.
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When I'm looking for DJ sets and stuff to drop, I look for music that I feel is gonna get the reaction I want from the crowd.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.
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There's any number of DJs who have inspired me over the years. I don't actively go out in clubs, so I can't tell you if there's some hot new talent out there who everybody's aware of but I'm not.
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I tend to gravitate away from the more trendy Ibiza style of dance music. It's not me.
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To be honest, I didn't really get into making music to be an album artist.
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I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.
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