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I would rather have 10 people working on a record that are really committed and believe in it and love it, than 50 people who have no idea who I am or what I'm for.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Believe
Really
Committed
Would
Record
Love
Records
People
Working
Rather
Idea
Ideas

More quotes by DJ Shadow

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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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There are a lot of music startups that don't have anything to do with anyone's love for music. It has to do with them having a glorious IPO and then retiring to the Bahamas somewhere. It's important to keep that in mind.
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The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.
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My main thing is constantly looking forward and trying to make music that I couldn't have made at any other time.
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I always like to remain a fan, put it that way: and I like to hold the idealised version of what these artists are like. Greed is one of those components of human nature that's inherent in everyone, and sometimes it is an unpleasant thing to engage in.
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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My core values are still the same about music, and my work ethic, and what I want to represent to people.
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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One of my favorite things that Yahoo does on a regular basis is this story: Wealthiest Rap Artists. That's an example of the internet just perpetuating this myth that we're all just sitting around in these mansions like Steven Tyler, bopping around in our swimming pool. It's bullshit.
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Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
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I would agree with you that there's 90% imitation and 10% innovation. That's true of any genre.
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If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
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When I first pursued this with Universal, they had no idea what to do. But now that we've gone through the whole process and I've signed this 60-page document that says what we can and can't do, I suppose it will be a little bit easier for the next person.
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I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
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To be honest, I didn't really get into making music to be an album artist.
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When I think about the stuff I turned down it's kind of insane.
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I couldn't make a real drum'n'bass or dubstep record to save my life. But I can be influenced by them in small ways.
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