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I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Wells
Mission
Well
Ended
Thing
Theme
Never
Missions
Like
Asked
People
Quite
Impossible
Remix
Movie
Themes

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When I first pursued this with Universal, they had no idea what to do. But now that we've gone through the whole process and I've signed this 60-page document that says what we can and can't do, I suppose it will be a little bit easier for the next person.
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My core values are still the same about music, and my work ethic, and what I want to represent to people.
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When I think about the stuff I turned down it's kind of insane.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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My main thing is constantly looking forward and trying to make music that I couldn't have made at any other time.
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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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To be honest, I didn't really get into making music to be an album artist.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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When I'm looking for DJ sets and stuff to drop, I look for music that I feel is gonna get the reaction I want from the crowd.
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It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.
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Through it all, the words of John Peel echo strongly within me: you have support the music that's being made now. You have to continue to look forward and learn from what's happening. That's my philosophy, anyway.
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I would agree with you that there's 90% imitation and 10% innovation. That's true of any genre.
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
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The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.
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I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
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Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.
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Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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