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When I think about the stuff I turned down it's kind of insane.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Turned
Stuff
Kind
Think
Thinking
Insane

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The conventional wisdom of fandom is that you must give your fans anything they want. But I've never felt that that's a healthy attitude - and that comes from being a Star Wars fan.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.
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When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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I was asked to do TV ads for Macintosh. Nowadays, I think anybody would jump at that but, at the time, it didn't feel appropriate for what I was trying to stand for.
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My core values are still the same about music, and my work ethic, and what I want to represent to people.
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As for my store, most artists' sites send you to a third-party storefront like iTunes, whereas we're disseminating it ourselves. I was always uncomfortable with the thought of sending somebody who came to my site to buy something to some other store. It just occurred to me, Why can't we do this?
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When I'm looking for DJ sets and stuff to drop, I look for music that I feel is gonna get the reaction I want from the crowd.
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The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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My main thing is constantly looking forward and trying to make music that I couldn't have made at any other time.
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I've always been compared to people. It's a revolving cast that comes and goes - obviously, sometimes people stay.
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Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.
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To be honest, I didn't really get into making music to be an album artist.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
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I always consider every album to be a snapshot.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
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