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When I think about the stuff I turned down it's kind of insane.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Stuff
Kind
Think
Thinking
Insane
Turned

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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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Through it all, the words of John Peel echo strongly within me: you have support the music that's being made now. You have to continue to look forward and learn from what's happening. That's my philosophy, anyway.
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I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.
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If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
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There's any number of DJs who have inspired me over the years. I don't actively go out in clubs, so I can't tell you if there's some hot new talent out there who everybody's aware of but I'm not.
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To be honest, I didn't really get into making music to be an album artist.
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I would rather have 10 people working on a record that are really committed and believe in it and love it, than 50 people who have no idea who I am or what I'm for.
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I always like to remain a fan, put it that way: and I like to hold the idealised version of what these artists are like. Greed is one of those components of human nature that's inherent in everyone, and sometimes it is an unpleasant thing to engage in.
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Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
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I tend to gravitate away from the more trendy Ibiza style of dance music. It's not me.
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When I first pursued this with Universal, they had no idea what to do. But now that we've gone through the whole process and I've signed this 60-page document that says what we can and can't do, I suppose it will be a little bit easier for the next person.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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I couldn't make a real drum'n'bass or dubstep record to save my life. But I can be influenced by them in small ways.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.
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The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.
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When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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