Quote

The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Value
Roll
Values
Gospel
Alienation
Inspirational
Sadness
Drove
Music
Liked
Blues
Always
Tend
Aesthetic
Anger
Rooted
Rock
Pops
Rocks
Factors

More quotes by DJ Shadow

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Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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My main thing is constantly looking forward and trying to make music that I couldn't have made at any other time.
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I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
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I saw. I wanted to start my own store so people would know that what they were buying was real. There were bootlegs around at the time that had my name on the cover, but the music had nothing to do with me. I'm not trying to compare myself to [Jimmie] Hendrix, but back in the '70s, there were some Hendrix bootlegs.
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I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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When I think about the stuff I turned down it's kind of insane.
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My core values are still the same about music, and my work ethic, and what I want to represent to people.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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I would rather have 10 people working on a record that are really committed and believe in it and love it, than 50 people who have no idea who I am or what I'm for.
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When I first pursued this with Universal, they had no idea what to do. But now that we've gone through the whole process and I've signed this 60-page document that says what we can and can't do, I suppose it will be a little bit easier for the next person.
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There's any number of DJs who have inspired me over the years. I don't actively go out in clubs, so I can't tell you if there's some hot new talent out there who everybody's aware of but I'm not.
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To be honest, I didn't really get into making music to be an album artist.
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Through it all, the words of John Peel echo strongly within me: you have support the music that's being made now. You have to continue to look forward and learn from what's happening. That's my philosophy, anyway.
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Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
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If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
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I've always been compared to people. It's a revolving cast that comes and goes - obviously, sometimes people stay.
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I would agree with you that there's 90% imitation and 10% innovation. That's true of any genre.
DJ Shadow