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I tend to gravitate away from the more trendy Ibiza style of dance music. It's not me.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Music
Ibiza
Gravitate
Trendy
Tend
Dance
Style
Away

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I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.
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I would rather have 10 people working on a record that are really committed and believe in it and love it, than 50 people who have no idea who I am or what I'm for.
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When I first pursued this with Universal, they had no idea what to do. But now that we've gone through the whole process and I've signed this 60-page document that says what we can and can't do, I suppose it will be a little bit easier for the next person.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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As for my store, most artists' sites send you to a third-party storefront like iTunes, whereas we're disseminating it ourselves. I was always uncomfortable with the thought of sending somebody who came to my site to buy something to some other store. It just occurred to me, Why can't we do this?
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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To be honest, I didn't really get into making music to be an album artist.
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I saw. I wanted to start my own store so people would know that what they were buying was real. There were bootlegs around at the time that had my name on the cover, but the music had nothing to do with me. I'm not trying to compare myself to [Jimmie] Hendrix, but back in the '70s, there were some Hendrix bootlegs.
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I was asked to do TV ads for Macintosh. Nowadays, I think anybody would jump at that but, at the time, it didn't feel appropriate for what I was trying to stand for.
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I couldn't make a real drum'n'bass or dubstep record to save my life. But I can be influenced by them in small ways.
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When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
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I would agree with you that there's 90% imitation and 10% innovation. That's true of any genre.
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It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.
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The conventional wisdom of fandom is that you must give your fans anything they want. But I've never felt that that's a healthy attitude - and that comes from being a Star Wars fan.
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Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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When I think about the stuff I turned down it's kind of insane.
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My main thing is constantly looking forward and trying to make music that I couldn't have made at any other time.
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