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I couldn't make a real drum'n'bass or dubstep record to save my life. But I can be influenced by them in small ways.
DJ Shadow
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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
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Life
Record
Couldn
Records
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Small
Drum
Real
Bass
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More quotes by DJ Shadow
I always consider every album to be a snapshot.
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Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.
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I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
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It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.
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I would rather have 10 people working on a record that are really committed and believe in it and love it, than 50 people who have no idea who I am or what I'm for.
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I've always been compared to people. It's a revolving cast that comes and goes - obviously, sometimes people stay.
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When I think about the stuff I turned down it's kind of insane.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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I saw. I wanted to start my own store so people would know that what they were buying was real. There were bootlegs around at the time that had my name on the cover, but the music had nothing to do with me. I'm not trying to compare myself to [Jimmie] Hendrix, but back in the '70s, there were some Hendrix bootlegs.
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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
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When I'm looking for DJ sets and stuff to drop, I look for music that I feel is gonna get the reaction I want from the crowd.
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When I first pursued this with Universal, they had no idea what to do. But now that we've gone through the whole process and I've signed this 60-page document that says what we can and can't do, I suppose it will be a little bit easier for the next person.
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If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
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I was asked to do TV ads for Macintosh. Nowadays, I think anybody would jump at that but, at the time, it didn't feel appropriate for what I was trying to stand for.
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Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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