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If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
DJ Shadow
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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
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Records
More quotes by DJ Shadow
The conventional wisdom of fandom is that you must give your fans anything they want. But I've never felt that that's a healthy attitude - and that comes from being a Star Wars fan.
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I've always been compared to people. It's a revolving cast that comes and goes - obviously, sometimes people stay.
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It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.
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I would agree with you that there's 90% imitation and 10% innovation. That's true of any genre.
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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Through it all, the words of John Peel echo strongly within me: you have support the music that's being made now. You have to continue to look forward and learn from what's happening. That's my philosophy, anyway.
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I would rather have 10 people working on a record that are really committed and believe in it and love it, than 50 people who have no idea who I am or what I'm for.
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I always consider every album to be a snapshot.
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I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
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I tend to gravitate away from the more trendy Ibiza style of dance music. It's not me.
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I saw. I wanted to start my own store so people would know that what they were buying was real. There were bootlegs around at the time that had my name on the cover, but the music had nothing to do with me. I'm not trying to compare myself to [Jimmie] Hendrix, but back in the '70s, there were some Hendrix bootlegs.
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To be honest, I didn't really get into making music to be an album artist.
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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There are a lot of music startups that don't have anything to do with anyone's love for music. It has to do with them having a glorious IPO and then retiring to the Bahamas somewhere. It's important to keep that in mind.
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I couldn't make a real drum'n'bass or dubstep record to save my life. But I can be influenced by them in small ways.
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I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
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My main thing is constantly looking forward and trying to make music that I couldn't have made at any other time.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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