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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Think
Thinking
Like
People
Frequently
Compared
Sound
Someone
Really

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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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To be honest, I didn't really get into making music to be an album artist.
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I always like to remain a fan, put it that way: and I like to hold the idealised version of what these artists are like. Greed is one of those components of human nature that's inherent in everyone, and sometimes it is an unpleasant thing to engage in.
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I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.
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I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
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There's any number of DJs who have inspired me over the years. I don't actively go out in clubs, so I can't tell you if there's some hot new talent out there who everybody's aware of but I'm not.
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When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
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Like a lot of other DJs, I've been wondering when the first DJ game was going to happen. Somebody even pitched me on their own idea and I thought, I'm not a video game startup I don't know what I'm supposed to do with this.
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I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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I would agree with you that there's 90% imitation and 10% innovation. That's true of any genre.
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One of my favorite things that Yahoo does on a regular basis is this story: Wealthiest Rap Artists. That's an example of the internet just perpetuating this myth that we're all just sitting around in these mansions like Steven Tyler, bopping around in our swimming pool. It's bullshit.
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My core values are still the same about music, and my work ethic, and what I want to represent to people.
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Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
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I always consider every album to be a snapshot.
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I tend to gravitate away from the more trendy Ibiza style of dance music. It's not me.
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It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.
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Cutting and pasting is the essence of what hip-hop culture is all about for me. It's about drawing from what's around you, and subverting it and decontextualizing it.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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