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My core values are still the same about music, and my work ethic, and what I want to represent to people.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Values
Stills
Still
Music
Work
Ethic
People
Represent
Ethics
Core

More quotes by DJ Shadow

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I've always been compared to people. It's a revolving cast that comes and goes - obviously, sometimes people stay.
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My main thing is constantly looking forward and trying to make music that I couldn't have made at any other time.
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There are a lot of music startups that don't have anything to do with anyone's love for music. It has to do with them having a glorious IPO and then retiring to the Bahamas somewhere. It's important to keep that in mind.
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If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
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The conventional wisdom of fandom is that you must give your fans anything they want. But I've never felt that that's a healthy attitude - and that comes from being a Star Wars fan.
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Anything that sparks some eight-year-old's interest in music or DJing is great.
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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I was asked to do TV ads for Macintosh. Nowadays, I think anybody would jump at that but, at the time, it didn't feel appropriate for what I was trying to stand for.
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There's any number of DJs who have inspired me over the years. I don't actively go out in clubs, so I can't tell you if there's some hot new talent out there who everybody's aware of but I'm not.
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I tend to gravitate away from the more trendy Ibiza style of dance music. It's not me.
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When I'm looking for DJ sets and stuff to drop, I look for music that I feel is gonna get the reaction I want from the crowd.
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I saw. I wanted to start my own store so people would know that what they were buying was real. There were bootlegs around at the time that had my name on the cover, but the music had nothing to do with me. I'm not trying to compare myself to [Jimmie] Hendrix, but back in the '70s, there were some Hendrix bootlegs.
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I always consider every album to be a snapshot.
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When I think about the stuff I turned down it's kind of insane.
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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When I first pursued this with Universal, they had no idea what to do. But now that we've gone through the whole process and I've signed this 60-page document that says what we can and can't do, I suppose it will be a little bit easier for the next person.
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I always like to remain a fan, put it that way: and I like to hold the idealised version of what these artists are like. Greed is one of those components of human nature that's inherent in everyone, and sometimes it is an unpleasant thing to engage in.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.
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