Quote

I saw. I wanted to start my own store so people would know that what they were buying was real. There were bootlegs around at the time that had my name on the cover, but the music had nothing to do with me. I'm not trying to compare myself to [Jimmie] Hendrix, but back in the '70s, there were some Hendrix bootlegs.

DJ Shadow

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DJ Shadow
Age: 52
Born: 1972
Born: June 29
Club Dj
Composer
Disc Jockey
Record Producer
Hayward
California
Joshua Paul Davis
Josh Davis
Joshua Davis
Would
Start
Store
Time
Around
Cover
People
Back
Buying
Music
Compare
Wanted
Stores
Nothing
Saws
Real
Name
Jimmie
Trying
Names
Hendrix

More quotes by DJ Shadow

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There's any number of DJs who have inspired me over the years. I don't actively go out in clubs, so I can't tell you if there's some hot new talent out there who everybody's aware of but I'm not.
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Any good album title has multiple meanings, and I like choosing titles where I find myself repeating it, almost like a mantra.
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I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
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As for my store, most artists' sites send you to a third-party storefront like iTunes, whereas we're disseminating it ourselves. I was always uncomfortable with the thought of sending somebody who came to my site to buy something to some other store. It just occurred to me, Why can't we do this?
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If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
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It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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I'm not going to get on any anti-corporation soapbox to an extreme level.
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The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.
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My problem with iTunes is that I don't have any say in how I'm represented on the site.
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Frequently, when I'm compared to someone, I'm like, Is that really what people think I sound like?
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I was asked to do TV ads for Macintosh. Nowadays, I think anybody would jump at that but, at the time, it didn't feel appropriate for what I was trying to stand for.
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To be honest, I didn't really get into making music to be an album artist.
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When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
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I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
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I've always been compared to people. It's a revolving cast that comes and goes - obviously, sometimes people stay.
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There are a lot of music startups that don't have anything to do with anyone's love for music. It has to do with them having a glorious IPO and then retiring to the Bahamas somewhere. It's important to keep that in mind.
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I always like to remain a fan, put it that way: and I like to hold the idealised version of what these artists are like. Greed is one of those components of human nature that's inherent in everyone, and sometimes it is an unpleasant thing to engage in.
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My core values are still the same about music, and my work ethic, and what I want to represent to people.
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I would agree with you that there's 90% imitation and 10% innovation. That's true of any genre.
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I couldn't make a real drum'n'bass or dubstep record to save my life. But I can be influenced by them in small ways.
DJ Shadow