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...in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.
Dietrich Fischer-Dieskau
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Dietrich Fischer-Dieskau
Age: 86 †
Born: 1925
Born: May 28
Died: 2012
Died: May 18
Baritone
Composer
Conductor
Musician
Musicologist
Opera Singer
Berlin
Germany
Thinking
Genius
Strove
Single
Gradually
Particular
Concerts
Creative
Composer
Possible
Drawn
Audience
Sing
Way
Follow
Always
Works
More quotes by Dietrich Fischer-Dieskau
Many, many composers have only found their way to a certain form, through familiarizing themselves with texts.
Dietrich Fischer-Dieskau
In Romanticism, the main determinant is the mood, the atmosphere. And in that regard, you could also describe Schubert as a Romantic.
Dietrich Fischer-Dieskau
The reason why Schubert is celebrated so much today, lies rather in the fact that there has been nobody else like him - not before him, not after him.
Dietrich Fischer-Dieskau
The future? Like unwritten books and unborn children, you don't talk about it.
Dietrich Fischer-Dieskau
Admittedly, it is really our duty, as artists, to hold up a mirror to our own era but, on the other hand, these works have lives of their own, and they're still alive today.
Dietrich Fischer-Dieskau
It is desirable that people make music on the breath, with the breath.
Dietrich Fischer-Dieskau
Within each individual young person you meet, you have the same fields to plough. The trick is just to wake them up, to sharpen their ears for what's already there in the music.
Dietrich Fischer-Dieskau
I came together with younger musicians and tried to pass on my own experiences. In the process, I always tried to maintain my curiosity and spontaneity.
Dietrich Fischer-Dieskau
The work is the most important thing.
Dietrich Fischer-Dieskau
Anyone who draws attention to himself as an individual, is viewed with suspicion. We acquired this tendency, of course, from America, and we must resist it: levelling, and imitation of what others are already doing.
Dietrich Fischer-Dieskau
Brahms believed that there was no need to publish absolutely everything that Schubert ever wrote.
Dietrich Fischer-Dieskau
But the thing that will always occupy me the most is music.
Dietrich Fischer-Dieskau
And what unity is to be had, at a time when orchestras are dying out, and when opera houses are about to close their doors what's going to come next - when nothing new in music, for the orchestra, is truly lasting: pieces are performed once, and then they're thrown away.
Dietrich Fischer-Dieskau
If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.
Dietrich Fischer-Dieskau
When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start.
Dietrich Fischer-Dieskau
The composition of a single melody is born out of a bit of text, perhaps the first line, but it can also be the entire strophe it can even be the poem's overall form.
Dietrich Fischer-Dieskau
With creative people, truly new horizons open up.
Dietrich Fischer-Dieskau
In fact, the element of play has an important role in my life, and I think that should be the case in the life of every artist. Our life is occupied with playing, whether we play an instrument or a role.
Dietrich Fischer-Dieskau
One has to get through a big pile of mail every day. I don't pass my letters on to a secretary rather, I try to take care of all of them myself.
Dietrich Fischer-Dieskau
Some critics have written that I wanted to teach through singing. Not at all. I was learning I went to school every time I gave a song recital.
Dietrich Fischer-Dieskau
