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[My] dream writers room: 'Naked City.' Because it still holds up as the absolutely quintessential New York pure cop procedural.

Dick Wolf

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Dick Wolf
Age: 77
Born: 1946
Born: December 20
Actor
Executive Producer
Film Producer
Producer
Screenwriter
Showrunner
Television Producer
Writer
New York City
New York
Richard Anthony Wolf
Rooms
Holds
Cities
Naked
Dream
Writers
Stills
Absolutely
Still
York
City
Procedural
Pure
Quintessential
Room
Cop

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The agendas on the management side of the table now are not in sync like they used to be because you have vastly different entities supplying programming to networks.
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The story drove the book. That had a very seminal effect on the way I saw writing and storytelling. If you can set a character in a story that is compelling and has a backbone, you draw people in.
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I consider myself one of the luckiest people in the history of show business.
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I was raised not to be rude, but I also try to get the best work out of people.
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Their argument is that most shows are losers, which is true, but it's also disingenuous to say, 'We are not going to take the risk unless it is totally covered by the few successful shows that are out there.'
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If you're going to vote on a television contract, there is a certain rationality to saying that the same structures that are applied to Health Plan participation should be placed on the right to vote on a strike.
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The most positive step is to try to expand the employment base by making it, if not economically friendly, at least not economically disastrous, for studios to take on deficits.
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I hardly see myself as a futurist.
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I think most people don't react well to being screamed at. It's counterproductive.
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If the scripts are not good, I'll tell somebody, 'This isn't good.
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I get bored with establishing shots of people getting out of cars and walking into buildings, getting into elevators and then 45 seconds later they have a line.
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I would say that if you really wished to be a working member of the community, don't go out on strike because then there's no work and no potential of work.
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The heart and soul of network programming is series programming, the weekly repetition of characters you like having in your house.
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I've known John Landgraf for 20 years. He said it perfectly. People will ask if I've seen X. My response has often been, 'Seen it? I've never heard of it.'
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There was an interesting article in Los Angeles Magazine about women directors. A woman director makes one bad independent film and her career is over. Guys tend to get an opportunity to learn from their mistakes.
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I don't think you can really make television based on what you think audiences want. You can only make stories that you like, because you have to watch it so many times.
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I try to just communicate what I want done as clearly and simply as possible.
Dick Wolf