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I almost had to have my leg amputated because of an infection.

Dick Dale

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Dick Dale
Age: 81 †
Born: 1937
Born: May 4
Died: 2019
Died: March 16
Composer
Guitarist
Record Producer
Boston
Massachusetts
Richard Monsour
Richard Anthony Monsour
Legs
Almost
Amputated
Infection

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My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut.
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I don't play pyrotechnic scales. I play about frustration, patience, anger. Music is an extension of my soul.
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People just loved the sound because I kept it simple.
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There's a saying. If you want someone to love you forever, buy a dog, feed it and keep it around.
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I'll just tell you the way it is. You ask me what time it is and I'm gonna tell you how to build a clock.
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I always wanted a guitar. I always wanted to be a cowboy singer because I also listened to Hank Williams, and he would always sing these neat romantic songs.
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I'll never die. I'll just explode, right there before your eyes, onstage.
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My aunt played the piano and I used to sit and listen to it.
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My philosophy is the thicker the wood the thicker the sound, the bigger the string the bigger the sound. My smallest string is a 14 gauge.
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I've got holes in my guitar.
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Buddy Rich was one of the most incredible technicians in the world, on this planet, but the only people he could really impress, who knew what he was doing was another musician or another drummer.
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I met Leo Fender, who is the guru of all amplifiers, and he gave me a Stratocaster. He became a second father to me.
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Every song is like a painting.
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As a little kid I had a girlfriend, and her boyfriend used to beat me up, so then I used to sing these songs, and that's what it's all about. Country music is all about your heart and your people and things like that.
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I grew a love for helpless, defenseless things. People would give me lions and jaguars. I had cheetahs, monkeys.
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I became stereotyped.
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Every time I went into the studio some engineer tried to impress me with how they're going to capture my sound with all kinds of tricks. But they limited the sound and never allowed me to play how I felt.
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I can play every instrument there is, every horn, I've played all the saxes and trumpets and everything and keyboards.
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You can't eat fish. It's 6,000 parts DDT per million all over the world, not counting radiation.
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When I start playing I'm just a rollercoaster of sound. I don't know what's coming next, I never do, and I sit and sign and talk to the people afterwards.
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