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Obviously those who burn to be professional jesters mean that they want to be successful comedians. And those are always an elite, microscopic portion of the population. But oh, how they try.
Dick Cavett
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Dick Cavett
Age: 88
Born: 1936
Born: November 19
Actor
Artistic Gymnast
Host
Screenwriter
Television Presenter
Writer
Gibbon
Nebraska
Richard Alva Cavett
Professional
Elitism
Obviously
Comedians
Population
Elite
Successful
Portion
Mean
Elites
Trying
Portions
Jesters
Always
Burn
Microscopic
Comedian
Jester
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There's so much comedy on television. Does that cause comedy in the streets?
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Therapists need to give a depressed patient support and direction.
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I think we live in an age of increasing mediocrity.
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I'm sure I've all but lost friends by maintaining that, despite their love for it, I always saw Stanley Kramer's 'It's a Mad, Mad, Mad, Mad World' as more of an exercise in anti-comedy than humor.
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The emotions in all true anxiety dreams are next to unbearable.
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Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.
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Coming up through the ranks of any calling can be rough, but that battered soul who survives the early years of courting the comic muse comes close to knowing what only the soldier knows: What combat is like.
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If (O.J. Simpson) is acquitted, I will renounce my citizenship. And if I converse with him at a cocktail party, I will say, 'Well, there are so many people here who haven't murdered anyone. I think I'll go talk to them.' I'll also riot.
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By the time I was in the fourth grade, I sounded exactly like my father on the phone.
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I have never been converted to or even had much interest in spiritualism, occultism, Swedenborgianism or any particular religion. And I never, except occasionally for a laugh, visit the quacks who call themselves psychics.
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It was well after college that I learned about depression. I got my first job for Jack Paar. I realized I was sleeping 14 hours a day and just living for the Paar show.
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Anyone working in the media can tell you that there seems to be an always-ready-to-explode segment of the populace for whom offense is a fate worse than anything imaginable. You'd think offense is one of the most calamitous things that could happen to a human being right up there with the loss of a limb, or just missing a parking space.
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My dream was maybe someday, one night I can be a guest on a talk show, and then I will have achieved everything I want.
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I did standup while still working for Johnny Carson in the mid-'60s, thus gaining the advantage of at least getting laughs from him about how I hadn't the night before.
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Comedians are sometimes resentful of their writers. Probably because it's hard for giant egos to admit you need anyone but yourself to be what you are.
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I had to fight the intellectual label when I started in television, because, first of all, it's not going to help you commercially, and also, it wasn't particularly true of me. I mean, if anybody thought I was an intellectual, they probably had never really seen one.
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The trick to writing for people is, you have to be able to turn them on in your head. And know how they'd word something or how they'd inflect it.
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