Quote

What line breaks add to prose prosody is a connection between eye and ear which emphasizes the nature of the language by ... creating units of intent and emphasis, and by contouring the meloding pitch changes in the narrative-line.

Diane Wakoski

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Diane Wakoski
Age: 87
Born: 1937
Born: August 3
Essayist
Poet
Printmaker
University Teacher
Writer
Whittier
California
Nature
Ears
Units
Changes
Emphasis
Line
Breaks
Creating
Prose
Lines
Connection
Prosody
Break
Narrative
Emphasizes
Eye
Add
Intent
Language
Connections
Pitch

More quotes by Diane Wakoski

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I am not political as a person.
Diane Wakoski
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Poetry is the art of saying what you mean but disguising it.
Diane Wakoski
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We are authors, all of us, concerned with beginning, with making, with sources and substance.
Diane Wakoski
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So, I've never been politically correct, even before that term was available to us, and I have really identified with other people who don't want to be read as just a black poet, or just a woman poet, or just someone who represents a cause, an anti-Vietnam war poet.
Diane Wakoski
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Poems come from incomplete knowledge.
Diane Wakoski
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The best young writers are convinced they need blurbs from famous writers before an editor will even read the first page of a manuscript. If this is true, then the editorial system that prevails today stinks. And let's start reforming it.
Diane Wakoski
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I think I'm a very good reader of poetry, but obviously, like everybody, I have a set of criteria for reading poems, and I'm not shy about presenting them, so if people ask for my critical response to a poem, I tell them what works and why, and what doesn't work and why.
Diane Wakoski
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I think one of the things that language poets are very involved with is getting away from conventional ideas of beauty, because those ideas contain a certain attitude toward women, certain attitudes toward sex, certain attitudes toward race, etc.
Diane Wakoski
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American poetry, like American painting, is always personal with an emphasis on the individuality of the poet.
Diane Wakoski
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I do not read newspapers. I do not watch television. I am not interested in current events, although I will occasionally discuss them if other people want to discuss them.
Diane Wakoski
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But I am not political in the current events sense, and I have never wanted anyone to read my poetry that way.
Diane Wakoski
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I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
Diane Wakoski
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One, I have a wonderful publisher, Black Sparrow Press as long as they exist, they will keep me in print. And they claim they sell very respectable numbers of my books, so I guess, and it's true, every place I go, my books are in libraries and on bookshelves.
Diane Wakoski
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I had been dreaming a complicated dream about helping poets revise their poems, so that each ending would open like a flower. I was not arguing, but engaged in a rousing discussion.
Diane Wakoski
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Because, in fact, women, feminists, do read my poetry, and they read it often with the power of their political interpretation. I don't care that's what poetry is supposed to do.
Diane Wakoski
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High and low culture come together in all Post Modern art, and American poetry is not excluded from this.
Diane Wakoski
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I don't like political poetry, and I don't write it. If this question was pointing towards that, I think it is missing the point of the American tradition, which is always apolitical, even when the poetry comes out of politically active writers.
Diane Wakoski
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My poems are almost all written as Diane. I don't have any problems with that, and if other women choose to identify with this, I think that's terrific.
Diane Wakoski
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From reading a previous answer, you know that I consider all those aspects to be part of American cultural myth and thus they figure into good American poetry, whether the poet is aware of what he is doing or not.
Diane Wakoski
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Distinctly American poetry is usually written in the context of one's geographic landscape, sometimes out of one's cultural myths, and often with reference to gender and race or ethnic origins.
Diane Wakoski