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I'm very little drawn to photographing people that are known or even subjects that are known. They fascinate me when I've barely heard of them.

Diane Arbus

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Diane Arbus
Age: 48 †
Born: 1923
Born: March 14
Died: 1971
Died: July 26
Fashion Photographer
Photographer
New York City
New York
Diane Nemerov
Diane Nemerov Arbus
Diane née Nemerov
Diane nee Nemerov
Known
Littles
Fascinate
Little
Photographing
Even
Barely
People
Drawn
Photographer
Subjects
Heard

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There's a quality of legend about freaks. Like a person in a fairy tale who stops you and demands that you answer a riddle.
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The world can only be grasped by action, not by contemplation. The hand is the cutting edge of the mind.
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One of the risks of appearing in public is the likelihood of being photographed.
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I mean, if you've ever spoken to someone with two heads, you know they know something you don't.
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The camera is a kind of license.
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You see someone on the street, and essentially what you notice about them is the flaw.
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The more specific you are, the more general it'll be.
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We stand on a precipice, then before a chasm, and as we wait it becomes higher, wider, deeper, but I am crazy enough to think it doesn't matter which way we leap because when we leap we will have learned to fly. Is that blasphemy or faith?
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Take pictures of what you fear.
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The condition of photographing is maybe the condition of being on the brink of conversion to anything.
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If I didn't have a camera, the things I do would be crazy.
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I really believe there are things nobody would see if I didn't photograph them.
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Photography was a license to go wherever I wanted and to do what I wanted to do.
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Lately I've been struck with how I really love what you can't see in a photograph. An actual physical darkness. And it's very thrilling for me to see darkness again.
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A photograph is a secret about a secret. The more it tells you the less you know.
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I think it does, a little, hurt to be photographed.
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If you scrutinize reality closely enough, if in some way you really, really get to it, it becomes fantastic.
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It's important to take bad pictures. It's the bad ones that have to do with what you've never done before. They can make you recognize something you hadn't seen in a way that will make you recognize it when you see it again.
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One thing I would never photograph is a dog lying in the mud.
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There are an awful lot of people in the world and it's going to be terribly hard to photograph all of them... It was my teacher Lisette Model who finally made it clear to me that the more specific you are, the more general it will be.
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