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Lately I've been struck with how I really love what you can't see in a photograph. An actual physical darkness. And it's very thrilling for me to see darkness again.

Diane Arbus

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Diane Arbus
Age: 48 †
Born: 1923
Born: March 14
Died: 1971
Died: July 26
Fashion Photographer
Photographer
New York City
New York
Diane Nemerov
Diane Nemerov Arbus
Diane née Nemerov
Diane nee Nemerov
Love
Thrilling
Struck
Actual
Photograph
Photography
Physical
Darkness
Really
Lately

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I mean, if you've ever spoken to someone with two heads, you know they know something you don't.
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The more specific you are, the more general it'll be.
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The thing that's important to know is that you never know. You're always sort of feeling your way.
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Everything is so superb and breathtaking. I am creeping forward on my belly like they do in war movies.
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The world can only be grasped by action, not by contemplation. The hand is the cutting edge of the mind.
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The condition of photographing is maybe the condition of being on the brink of conversion to anything.
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I don't know what good composition is.... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There's a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness.
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There are an awful lot of people in the world and it's going to be terribly hard to photograph all of them... It was my teacher Lisette Model who finally made it clear to me that the more specific you are, the more general it will be.
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These are characters in a fairy tale for grown-ups. Wouldn't it be lovely? Yes.
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It would be beautiful to photograph the winners of everything from Nobel to booby prize, clutching trophy, or money or certificate, solemn or smiling or tear stained or bloody, on the precarious pinnacle of the human landscape.
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If I didn't have a camera, the things I do would be crazy.
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I think the most beautiful inventions are the ones you don't think of.
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A photograph is a secret about a secret. The more it tells you the less you know.
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I never have taken a picture I've intended. They're always better or worse.
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Regardless of how you feel inside, always try to look like a winner. Even if you are behind, a sustained look of control and confidence can give you a mental edge that results in victory.
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I'm very little drawn to photographing people that are known or even subjects that are known. They fascinate me when I've barely heard of them.
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I really believe there are things nobody would see if I didn't photograph them.
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Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe.
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I think it does, a little, hurt to be photographed.
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We've all got an identity. You can't avoid it. It's what's left when you take everything else away.
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