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Lately I've been struck with how I really love what you can't see in a photograph. An actual physical darkness. And it's very thrilling for me to see darkness again.

Diane Arbus

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Diane Arbus
Age: 48 †
Born: 1923
Born: March 14
Died: 1971
Died: July 26
Fashion Photographer
Photographer
New York City
New York
Diane Nemerov
Diane Nemerov Arbus
Diane née Nemerov
Diane nee Nemerov
Darkness
Really
Lately
Love
Thrilling
Struck
Actual
Photograph
Photography
Physical

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If I didn't have a camera, the things I do would be crazy.
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The camera is a kind of license.
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We've all got an identity. You can't avoid it. It's what's left when you take everything else away.
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If you scrutinize reality closely enough, if in some way you really, really get to it, it becomes fantastic.
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Nothing is ever the same as they said it was.
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You see someone on the street, and essentially what you notice about them is the flaw.
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It's important to take bad pictures. It's the bad ones that have to do with what you've never done before. They can make you recognize something you hadn't seen in a way that will make you recognize it when you see it again.
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One thing I would never photograph is a dog lying in the mud.
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The condition of photographing is maybe the condition of being on the brink of conversion to anything.
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It would be beautiful to photograph the winners of everything from Nobel to booby prize, clutching trophy, or money or certificate, solemn or smiling or tear stained or bloody, on the precarious pinnacle of the human landscape.
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Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe.
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The more specific you are, the more general it'll be.
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One of the risks of appearing in public is the likelihood of being photographed.
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Nothing is ever the same as they said it was. It's what I've never seen before that I recognize.
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I work from awkwardness. By that I mean I don't like to arrange things. If I stand in front of something, instead of arranging it, I arrange myself.
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I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.
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These are characters in a fairy tale for grown-ups. Wouldn't it be lovely? Yes.
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The camera is cruel, so I try to be as good as I can to make things even.
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