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One thing I would never photograph is a dog lying in the mud.

Diane Arbus

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Diane Arbus
Age: 48 †
Born: 1923
Born: March 14
Died: 1971
Died: July 26
Fashion Photographer
Photographer
New York City
New York
Diane Nemerov
Diane Nemerov Arbus
Diane née Nemerov
Diane nee Nemerov
Would
Mud
Photograph
Dog
Photography
Lying
Thing
Never

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I really believe there are things nobody would see if I didn't photograph them.
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If you scrutinize reality closely enough, if in some way you really, really get to it, it becomes fantastic.
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The camera is a kind of license.
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I work from awkwardness. By that I mean I don't like to arrange things. If I stand in front of something, instead of arranging it, I arrange myself.
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Nothing is ever the same as they said it was. It's what I've never seen before that I recognize.
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Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.
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I'm very little drawn to photographing people that are known or even subjects that are known. They fascinate me when I've barely heard of them.
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Lately I've been struck with how I really love what you can't see in a photograph. An actual physical darkness. And it's very thrilling for me to see darkness again.
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I never have taken a picture I've intended. They're always better or worse.
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There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.
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The world can only be grasped by action, not by contemplation. The hand is the cutting edge of the mind.
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We stand on a precipice, then before a chasm, and as we wait it becomes higher, wider, deeper, but I am crazy enough to think it doesn't matter which way we leap because when we leap we will have learned to fly. Is that blasphemy or faith?
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...I would never choose a subject for what it means to me. I choose a subject and then what I feel about it, what it means, begins to unfold.
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If I didn't have a camera, the things I do would be crazy.
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Everything is so superb and breathtaking. I am creeping forward on my belly like they do in war movies.
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It would be beautiful to photograph the winners of everything from Nobel to booby prize, clutching trophy, or money or certificate, solemn or smiling or tear stained or bloody, on the precarious pinnacle of the human landscape.
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A photograph is a secret about a secret. The more it tells you the less you know.
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One of the risks of appearing in public is the likelihood of being photographed.
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The more specific you are, the more general it'll be.
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I mean, if you've ever spoken to someone with two heads, you know they know something you don't.
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