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One thing I would never photograph is a dog lying in the mud.

Diane Arbus

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Diane Arbus
Age: 48 †
Born: 1923
Born: March 14
Died: 1971
Died: July 26
Fashion Photographer
Photographer
New York City
New York
Diane Nemerov
Diane Nemerov Arbus
Diane née Nemerov
Diane nee Nemerov
Mud
Photograph
Dog
Photography
Lying
Thing
Never
Would

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You see someone on the street, and essentially what you notice about them is the flaw.
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It would be beautiful to photograph the winners of everything from Nobel to booby prize, clutching trophy, or money or certificate, solemn or smiling or tear stained or bloody, on the precarious pinnacle of the human landscape.
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Photography was a license to go wherever I wanted and to do what I wanted to do.
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One of the risks of appearing in public is the likelihood of being photographed.
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I really believe there are things nobody would see if I didn't photograph them.
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Regardless of how you feel inside, always try to look like a winner. Even if you are behind, a sustained look of control and confidence can give you a mental edge that results in victory.
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Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.
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I think it does, a little, hurt to be photographed.
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The more specific you are, the more general it'll be.
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We stand on a precipice, then before a chasm, and as we wait it becomes higher, wider, deeper, but I am crazy enough to think it doesn't matter which way we leap because when we leap we will have learned to fly. Is that blasphemy or faith?
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If I didn't have a camera, the things I do would be crazy.
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The condition of photographing is maybe the condition of being on the brink of conversion to anything.
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Most people go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats.
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The camera is cruel, so I try to be as good as I can to make things even.
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I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.
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Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe.
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I'm very little drawn to photographing people that are known or even subjects that are known. They fascinate me when I've barely heard of them.
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It's important to take bad pictures. It's the bad ones that have to do with what you've never done before. They can make you recognize something you hadn't seen in a way that will make you recognize it when you see it again.
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