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One thing I would never photograph is a dog lying in the mud.

Diane Arbus

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Diane Arbus
Age: 48 †
Born: 1923
Born: March 14
Died: 1971
Died: July 26
Fashion Photographer
Photographer
New York City
New York
Diane Nemerov
Diane Nemerov Arbus
Diane née Nemerov
Diane nee Nemerov
Photograph
Dog
Photography
Lying
Thing
Never
Would
Mud

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If you scrutinize reality closely enough, if in some way you really, really get to it, it becomes fantastic.
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Freaks was a thing I photographed a lot. It was one of the first things I photographed and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them. I don't quite mean they're my best friends but they made me feel a mixture of shame and awe.
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The world can only be grasped by action, not by contemplation. The hand is the cutting edge of the mind.
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Most people go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats.
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The camera is a kind of license.
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There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.
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Nothing is ever the same as they said it was. It's what I've never seen before that I recognize.
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The thing that's important to know is that you never know. You're always sort of feeling your way.
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Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe.
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I think it does, a little, hurt to be photographed.
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You see someone on the street, and essentially what you notice about them is the flaw.
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A photograph is a secret about a secret. The more it tells you the less you know.
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We stand on a precipice, then before a chasm, and as we wait it becomes higher, wider, deeper, but I am crazy enough to think it doesn't matter which way we leap because when we leap we will have learned to fly. Is that blasphemy or faith?
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I don't know what good composition is.... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There's a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness.
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The more specific you are, the more general it'll be.
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The condition of photographing is maybe the condition of being on the brink of conversion to anything.
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For me, the subject of the picture is always more important than the picture.
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These are characters in a fairy tale for grown-ups. Wouldn't it be lovely? Yes.
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Lately I've been struck with how I really love what you can't see in a photograph. An actual physical darkness. And it's very thrilling for me to see darkness again.
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If I didn't have a camera, the things I do would be crazy.
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