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I think when you take people who are damaged and you give them money and freedom, it can be a toxic cocktail.

Diablo Cody

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Diablo Cody
Age: 46
Born: 1978
Born: June 14
Blogger
Dancer
Executive Producer
Film Director
Film Producer
Journalist
Screenwriter
Television Producer
Writer
Think
Cocktails
Thinking
Damaged
People
Toxic
Freedom
Money
Give
Take
Giving
Cocktail

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Love is mysterious and rad, like Steve Perry from Journey
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Judy Blume excels at describing how it feels to be invisible. So how poetic is it that Blume herself is suddenly everywhere?
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When you're in a competitive environment, always give out the impression that you don't care. It makes people want you more. If you act desperate, it's over. I think a passive attitude is helpful. It comes naturally because I'm lazy.
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He wasn’t a carrier of commitment-phobia or other notable boy diseases and he used expensive moisturizer. That’s about all it takes to bang my gong.
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These days, the Rolling Stones still have an edge, but that fangs-out ferocity has mellowed considerably.
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I would never consent to a lame publicity stunt at a time when I already want to hide.
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I've been meaning to write about the Rolling Stones, but I am the furthest thing from a hipster rock journalist.
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In my opinion, the best thing you can do is find a person who loves you for exactly what you are. Good mood, bad mood, ugly, pretty, handsome, what have you, the right person will still think the sun shines out your ass. That's the kind of person that's worth sticking with.
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Above the stage was a glass-floored second stage, which allowed customers to look up and watch another girl dancing overhead. This multidimensional display of poontang reminded me of the 3-D chessboard on Star Trek, which in turn reminded me that I was a huge nerd.
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Unfortunately I don't live by a Target now, so I just go to a regular Starbucks as opposed to a Starbucks nested inside a Target, which is my ideal situation. That works out for me. I like that white noise, those interruptions, and the people around me.
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You definitely meet a lot of extremely powerful, successful, wealthy people in Hollywood who are extremely miserable.
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I don't know if I have some kind of defiance disorder or something, but if I'm hired to write something by The Man, or by a studio, for whatever reason, it's really hard for me to finish. I inevitably wind up using that time to write something else.
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To enjoy being famous, you need to have a screw loose.
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There's this double standard that exists and it really frustrates me. If a woman chooses to work, people say, Oh it's so sad that you're not at home with your children. But no one ever says that to a man because it's assumed that the man is going to be the provider.
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When I was a kid, I attended a small Catholic school in a south suburb of Chicago.
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I wrote a screenplay for a 'Sweet Valley High' adaptation, and it's really amazing to me how many women who are my age have responded to the idea and are excited about the movie.
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If I want to get a taste of beach culture, I'll fire up my season 2 DVD of 'Beverly Hills, 90210.'
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There's probably no experience more alienating than fame, other than a terminal illness, where you actually find yourself in a situation that nobody around you can relate to.
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I've been so lucky - I worked with Jason Reitman twice, who has always been a really strong advocate for my voice, and has always really respected the scripts that I've brought him and is just the coolest.
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