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Or maybe I'd do what I always do - hang out and see what develops. Fatalist to the core.

Dennis Lehane

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Dennis Lehane
Age: 59
Born: 1965
Born: August 4
Author
Novelist
Screenwriter
Writer
Dorchester
Massachusetts
Fatalist
Develops
Hang
Core
Maybe
Always

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The loneliness of another can be shocking when it lays itself bare without warning.
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Waking, after all, was an almost natal state. You surfaced without history, then spent the blinks and yawns reassembling your past, shuffling the shards into chronological order before fortifying yourself for the present.
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Happiness comes in moments, & then it's gone until the next time. Could be years. But sadness settles it.
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I normally can't stand vice-free people. They conflate a narcissistic instinct for self-preservation with moral superiority. Plus, they suck the life right out of a party.
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Grief, I swear to God, doesn't live in the heart. It lives in the senses. And sometimes, all I want to do is cut off my nose so I can't smell her, hack my fingers off at the joint.
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I found that I could write two kinds of short stories: I could write very absurd, kind of surrealistic, funny stories or I could write very dark, realistic - hyper-realistic - stories. I was never happy with that, because I couldn't meld the two.
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I believe so deeply in the primacy of language, in lifting your prose to the highest level you're capable of and making your words symphonic.
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We were supposed to grow old together, Dolores. Have kids. Take walks under old trees. I wanted to watch the lines etch themselves into your flesh and know when each and every one of them appeared. Die together.
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She was afraid of all that and so much more, but what terrified her most was inside of her, an insect of unnatural intelligence who’d been living in her brain her entire life, playing with it, clicking across it, wrenching loose its cables on a whim.
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The world does not have tidy endings. The world does not have neat connections. It is not filled with epiphanies that work perfectly at the moment that you need them.
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Charm was the luxury of those who still believed in the essential rightness of things. In purity and picket fences.
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I was blessed to grow up in really interesting times and to go back to a home where I was very safe.
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Everyone sees different things.
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What molds us is what maims us.
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He wanted to ask her what sound a heart made when it broke from pleasure, when just the sight of someone filled you the way food, blood, and air never could, when you felt as if you'd been born for only one moment and this, for whatever reason, was it.
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Which would be worse - to live as a monster, or to die as a good man?
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But I often think we talk way too much in this society, that we consider verbalization a panacea that it very often is not, and that we turn a blind eye to the sort of morbid self-absorption that becomes a predictable by-product of it.
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I can't remember coming across a more precise evocation of innocence lost since Golding's The Lord of the Flies. With The Death of Sweet Mister, Daniel Woodrell has written his masterpiece-spare, dark, and incandescently beautiful. It broke my heart.
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Chuck said, “Hey. How many surrealists does it take to screw in a lightbulb?” Cawley looked over at him. “I’ll bite. How many?” “Fish,” Chuck said and let loose a bright bark of a laugh.
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How many psychiatrists does it take to screw in a lightbulb?” “I don’t know. How many?” “Eight.” “Why?” “Oh, stop overanalyzing it.
Dennis Lehane