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I'd read so much right-wing crime fiction where they find the evidence and shoot the bad guy - I thought there must be another approach.

Denise Mina

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Denise Mina
Age: 58
Born: 1966
Born: August 21
Comics Writer
Crime Writer
Criminologist
Novelist
Playwright
Poet Lawyer
Writer
East Kilbride
Strathaven and Lesmahagow
Find
Evidence
Right
Approach
Must
Crime
Much
Fiction
Guy
Read
Wing
Another
Shoot
Thought
Wings

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I think graphic novels are closer to prose than film, which is a really different form.
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I have two children. They are more fun than anything in the world, and it's more immediate fun than the hard slog of writing.
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A man who thinks he has a higher purpose can do terrible things, even to those he professes to love.
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I grew up in London under Thatcher and that really was disgusting. A feeding frenzy.
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In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.
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I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted.
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Journalism is a Darwinian process.
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I love Mikhail Bulgakov. He is very original and takes the story to unexpected places. I didn't realise political writing could be so funny.
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I hate it when I'm reading a comic, and the dialogue looks like stickers stuck on top to explain what's going on. For me the best is when your eye goes in a certain point and moves through the composition and then springs out on the dialogue, or gets confused in the image and then goes to the dialogue for an explanation.
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I'm terrified to get married. I'm not getting married till my gay friends can.
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To have a very strong opinion all the time is corrosive to a person's intellect. It becomes your default position.
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I think the negative traits are what makes us love other human beings, the foibles and the flaws.
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I came from this very traditional background and I benefited hugely from feminism. I felt privileged going to university and doing a PhD. Most people of my background don't get to do that.
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My upbringing was middle-class but my parents' families were both working-class so I had this odd combination of working-class background but in a privileged position.
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Even if people do wrong, we're social animals, so what can we do about stopping them doing the same things in future? Saying people are 'bad' or 'evil' is just an unwillingness to engage an unwillingness to try to empathise. That sanctimonious attitude doesn't help anyone
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In prose, leaps of logic can be made while the protagonist thinks about things and arrives at conclusions. Even with voiceover, there's no real way of having an inner voice without it taking over the entire story.
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I always wanted to work at Take A Break magazine, you know, just to inject a little bit of politics into their stories. I applied for a job there after I'd done my law degree and didn't even get an interview. I only wrote Garnethill because I didn't get that job!
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There's always these giant baffling books, like 'The Da Vinci Code.' People say it's not as well written as 'Midnight's Children.' Why aren't people reading 'Midnight's Children?' Nobody knows why these phenomenons happen but they're great.
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Because I write a book a year, I always want to do one other project every year that's stimulating in a different way. It means you can be working but not using up your prose juice, you know?
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Novelisation doesn't imply the truth. Readers are sophisticated enough to know that.
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