Ultimately, the people [who] are going to help you make your film are the people who believe in you and believe in the story. And as long as you stick to your guns, hopefully what you come out with will be what you imagined.

I love the freedom of writing and then I love the realization of directing. I can't favor one or the other. I enjoy both parts of the process.

Once your film is done, you can't explain to people what something was supposed to be. You can't give them footnotes. It all has to be there.

I love directing because you get to see your film come to life. You get to work with the actors. There's something magical about each piece of it.

Writing is really freeing because it's the only part of the process where it's just you and the characters and you are by yourself in a room and you can just hash it out. There are no limitations.

I very much related to the idea of sexual identity and how it doesn't have to be black and white. When I first came out, there would be butch people in baseball caps, and that wasn't me, and then there were girls in heels and dresses, and that didn't feel like that was me either. But after a while I learned there's a lot of ground in between.

I just want to tell stories that are meaningful and have inspiration to them people can watch it and take away something or maybe they'll just think about themselves differently, or thing about the world differently. I just want to create characters that live on.

I've always liked to write, but I never thought I could make a career out of it. I went to business school because in the '80, it was the thing to do. I thought that marketing was a way to be creative in business, but quickly learned all creative stuff happens at the ad agency.