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I think the press does, too it's just the few crazies and paparazzi that give them a bad name. Real writers write good things. My daughter's a writer, and she's a quality writer.
Debbie Reynolds
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Debbie Reynolds
Age: 84 †
Born: 1932
Born: April 1
Died: 2016
Died: December 28
Autobiographer
Beauty Pageant Contestant
Dancer
Film Actor
Film Actress
Musician
Screenwriter
Singer
Stage Actor
Television Actor
El Paso
Texas
Mary Frances Reynolds
Mary Frances Debbie Reynolds
Writing
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Quality
Paparazzi
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More quotes by Debbie Reynolds
I've always had my guard. I have my cook and my guard. I want to eat, and I want to live.
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I have the largest private collection in the world [of Hollywood memorabilia].
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[Marilyn Monroe] was a bit temperamental, a little diva-like, but she didn't deserve what she got.
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My belief also is that Marilyn Monroe passed away long before she should have left us.
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Near the end, she [Marilyn Monroe] was badly treated by Fox Studios, during the 'Let's Make Love' film shoot in 1960, they threw her off the set because she had a cold.
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I started to earn money because we didn't have money.
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I tour all year, 42 weeks a year, so it's hard for me to remember every place I play.
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I've always had life threats, and they've always been for real.
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Every performer should learn a little bit of everything. Most performers today only play the guitar.
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Do I run around deploring the world? No. I'm just not into it. I was brought up that way.
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I had a lot of fun with Frank Sinatra, because he was such a hooligan, and so to himself, he was the king, and everything was his way, and I enjoyed watching that.
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We've lost a lot of our great stars. I can't hang out with those who aren't here. The phone service to heaven is so bad, you know. But I get to visit with their memories.
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When I was doing theater in the 1950's, 60's and 70's we weren't allowed to film any of the shows that I did, it was against union rules. It was a stupid law, because so much is lost. We now have no record of these famous stage plays, so it turned out to be very narrow-minded thinking.
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[Bob Fosse] was a temperamental fellow - it was his way or the highway.
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[Las Vegas in the early 1960] was thrilling, exciting... I would describe it as very Parisian.
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I stopped making movies because I don't like taking my clothes off. Maybe it's realism, but in my opinion, it's utter filth.
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I have over five thousand costumes and props and cars, and I have a twenty-five thousand square foot warehouse full of memorabilia.
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I wanted to be as comfortable in that environment as she was. I moved around those areas in character.
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The only way you learn is by failure.
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If I ever stop working, I might have a problem. But I never seem to be able to stop working.
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