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The work, I suppose, is made in the editing, whereby I make literally hundreds of drawings, and then a much smaller percentage of those become the finished work.

David Shrigley

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David Shrigley
Age: 57
Born: 1967
Born: September 17
Drawer
Painter
Photographer
Sculptor
Visual Artist
Macclesfield
Cheshire
Finished
Percentage
Become
Percentages
Work
Editing
Much
Smaller
Made
Hundreds
Make
Literally
Suppose
Drawings
Drawing
Whereby

More quotes by David Shrigley

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I guess I just always want to surprise myself and say something that I'm not really quite sure where it came from, and it sort of makes sense and has a kind of profundity to it. Sometimes it happens, sometimes it doesn't.
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Sometimes commercial galleries ask for particular work to sell, but I try not to be bossed around by them. I didn't become an artist to get bossed around.
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I don't want to just spend my life ridiculing something that I find ridiculous, although there is an element of satire in my work.
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If the work jells a little bit in terms of being placed in the oeuvre, I don't care - as long as it works.
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I like comedy but I guess I don't think [my art] is that funny, either. It's too dark and a bit weird in places to be genuinely, uniformly hilarious and function as comedy.
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I think my books are better than my exhibitions. If people don't like my books then I don't mind. I guess you like them enough to write an essay about them so that makes me pretty happy.
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I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
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I don't think I've ever made any conscious decision to be a comic artist, but to me there's something quite anarchic about comedy.
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I'm never really that worried about doing something a little different, 'cause it always just seems to fit into what I want to do.
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I feel quite comfortable and happy with making a work that looks like it could have been made by somebody else.
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The camera is an eye that sees and records the lives of filthy people. Its pictures are hung in museums and published in thick books that future generations can see how horrible life was.
David Shrigley