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Maybe one day, I would write a story about arguing in public, and those would come in handy in some way.
David Sedaris
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David Sedaris
Age: 67
Born: 1956
Born: December 26
Comedian
Essayist
Humorist
Writer
Binghamton
New York
David Raymond Sedaris
Write
Come
Writing
Would
Handy
Arguing
Public
Maybe
Story
More quotes by David Sedaris
There is a reason there is no such thing as a folk writer. But to be a writer you have learn what it takes to captivate a reader in order to make them turn the page. And in order to learn that, you have to read.
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It makes me wonder sometimes. Remember a couple years ago, when Mexicans went on strike? It was talked about a little bit but not that much. But some old white people, and there aren't even that many, they put bonnets on, and then they control the news.
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I just think that the people who say: 'That's not true' when someone tells a story at dinner are the people who didn't get any laughs when they told their story.
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As a child I assumed that when I reached adulthood, I would have grown-up thoughts.
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I sometimes read books on my iPad.
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I've never written about sex in my diary. Like if you read my diary, you wouldn't think I'm a virgin, but you would have no idea what it is that I've actually ever done.
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there's a reason regular people don't appear on TV: we're boring.
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Whenever I write about my family, I start by getting my parent`s approval. I like to think I write about them with obvious affection. When it comes to the people I'm related to, I consider myself to be very lucky.
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I've been keeping a diary for thirty-three years and write in it every morning. Most of it's just whining, but every so often there'll be something I can use later: a joke, a description, a quote. It's an invaluable aid when it comes to winning arguments. 'That's not what you said on February 3, 1996,' I'll say to someone.
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The things I've bought from strangers in the dark would curl your hair.
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Sometimes people say, do you want a drink? And I say, oh, I'd like to, but I'm a tragic alcoholic. I always say tragic. I'm a tragic alcoholic.
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At first, writing for The New Yorker was very scary to me. I couldn't imagine anything that I would write in that typeface.
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In Japanese and Italian, the response to [How are you?] is I'm fine, and you? In German it's answered with a sigh and a slight pause, followed by Not so good.
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I don't think my life is more interesting than anybody else's.
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A lot of people don't know what they want, you know, or they're just kind of vague about it.
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I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite... I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.
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I would be writing and trying to write like Joan Didion. Or if I was reading Raymond Carver. You know, strong stylists. But that's how you find your voice, is imitating other people. So things like that didn't embarrass me, because I thought, well, that's how it goes. That's how everyone learns.
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but I have no mind for business and considered staying awake to be enough of an accomplishment.
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Sometimes the sins you haven't committed are all you have to hold on to. If you're really desperate, you might need to grope, saying, for example, I've never killed anyone with a hammer or I've never stolen from anyone who didn't deserve it.
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They were nothing like the French people I had imagined. If anything, they were too kind, too generous and too knowledgable in the fields of plumbing and electricity.
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