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When I look at a lot of older stuff that I've written, I think one sign of amateur humor writing is when you see people trying too hard.
David Sedaris
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David Sedaris
Age: 67
Born: 1956
Born: December 26
Comedian
Essayist
Humorist
Writer
Binghamton
New York
David Raymond Sedaris
Thinking
Written
People
Stuff
Look
Looks
Hard
Amateur
Writing
Sign
Trying
Older
Think
Humor
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Every so often my life will feel like a story. It doesn't have to be a big thing in fact, most often, it's just the opposite.
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It makes me wonder sometimes. Remember a couple years ago, when Mexicans went on strike? It was talked about a little bit but not that much. But some old white people, and there aren't even that many, they put bonnets on, and then they control the news.
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I've never written about sex in my diary. Like if you read my diary, you wouldn't think I'm a virgin, but you would have no idea what it is that I've actually ever done.
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It make one's mouth hurt to speak with such forced merriment.
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Sometimes with 'The New Yorker,' they have grammar rules that just don't feel right in my mouth.
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The drama bug strikes hardest with Jews, homosexuals and plump women who wear their hair in bangs. These are people who, for one reason or another, desperately crave attention
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The rabbit of Easter. He bring of the chocolate.
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I like to reserve the right to write about whatever I like.
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The interesting thing about gay people is that you can't really put on a wedding without them. They're the ones who make your dress, and do the flowers and the catering. They've toiled in the wedding industry all these years but were never allowed to do it themselves.
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I've never gone on Facebook and am not sure I understand it. The same goes for Twitter. I have someone sending tweets and pretending to be me, but I don't know why.
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As bad a dresser as I am, anything beats being judged by my character.
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A zoo is a good place to make a spectacle of yourself, as the people around you have creepier, more photogenic things to look at.
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At first, writing for The New Yorker was very scary to me. I couldn't imagine anything that I would write in that typeface.
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There are certain people in my life who didn't care to be in my book. And so I cut them out. And I had broken up with somebody. And I was, you know, really upset and depressed. And so that was, you know, reasons to keep going.
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I don't like to read anything on the radio for the very first time, because I don't have any notion of a reaction. When I read it out loud, then I get an idea of that, and more of an idea of how to read.
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I started writing when I was twenty, and my first book came out seventeen years later.
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I sometimes read books on my iPad.
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A lot of people don't know what they want, you know, or they're just kind of vague about it.
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They were nothing like the French people I had imagined. If anything, they were too kind, too generous and too knowledgable in the fields of plumbing and electricity.
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If you are any kind of an artist, then validation . . . can be a result, but you're going to do the work anyway.
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