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The fake slap invariably makes contact, adding the elements of shock and betrayal to what had previously been plain old-fashioned fear.
David Sedaris
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David Sedaris
Age: 67
Born: 1956
Born: December 26
Comedian
Essayist
Humorist
Writer
Binghamton
New York
David Raymond Sedaris
Fear
Adding
Makes
Fashioned
Betrayal
Plain
Shock
Fake
Previously
Contact
Slap
Elements
Invariably
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Speed eliminates all doubt. Am I smart enough? Will people like me? Do I really look all right in this plastic jumpsuit?
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It was the look you get when facing a sudden and insurmountable danger: the errant truck, the shaky ladder, the crazy person who pins you to the linoleum and insists, with increasing urgency, that everything you know and love can be undone by a grape.
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I giggled out loud at his stupidity. If anyone knew how to make a bed, it was a faggot.
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The combination of ammonia and chloride can be lethal but I've discovered it can work miracles as long as you keep telling yourself, I want to love, I want to live.
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I can't promise I'll never kill anyone again, he once said, strapping a refrigerator to his back. It's unrealistic to live your life within such strict parameters
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When they're born outside, crows come and pluck their eyes out.
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We were not a hugging people. In terms of emotional comfort it was our belief that no amount of physical contact could match the healing powers of a well made cocktail.
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I meet people at book signings. My record now, for signing, is ten and a half hours in one sitting.
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As bad a dresser as I am, anything beats being judged by my character.
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But instead I am applying for a job as an elf. Even worse than applying is the very real possibility that I will not be hired, that I couldn't even find work as an elf. That's when you know you're a failure.
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I always used to reach for the cigarette when the phone rang, and I figured nobody would ever call me in Tokyo. The time difference is so profound it's, like, already September in Tokyo, and I figured nobody would be able to work it out.
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I think if you write humor, then people don't - you know - they don't give you that much credit. They tend to think you just dictate your stories into a tape recorder. And I'm not necessarily insulted by that, because I think that just means that it looks easy.
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If I were president, I would turn the tables and allow the fetus to abort its mother.
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In the beginning, I was put off by the harshness of German. Someone would order a piece of cake, and it sounded as if it were an actual order, like, Cut the cake and lie facedown in that ditch between the cobbler and the little girl.
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Most movies, I forget about them while I'm watching them. I go every single day. But I've never thought about participating in any way. It's like being at home all day. It was never a goal to me.
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I can't seem to fathom that the things important to me are not important to other people as well, and so I come off sounding like a missionary, someone whose job it is to convert rather than listen.
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There are lots of things that happen to me that I don't write about.
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They were nothing like the French people I had imagined. If anything, they were too kind, too generous and too knowledgable in the fields of plumbing and electricity.
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The thought of killing myself had slowed me down to five miles per hour. The thought of killing someone else stopped me completely.
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All of a sudden, when you're exposed to a large audience, they think you just started writing that day, but I started years before. I look back at things I wrote then and I'm so embarrassed - the writing seems so blocky and choppy to me and I wouldn't have wanted success any sooner because the writing was even worse.
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