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I won't put in a load of laundry, because the machine is too loud and would drown out other, more significant noises - namely, the shuffling footsteps of the living dead.

David Sedaris

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David Sedaris
Age: 67
Born: 1956
Born: December 26
Comedian
Essayist
Humorist
Writer
Binghamton
New York
David Raymond Sedaris
Would
Load
Machine
Loud
Shuffling
Noise
Noises
Significant
Laundry
Machines
Drown
Dead
Namely
Living
Footsteps

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Their house had real hardcover books in it, and you often saw them lying open on the sofa, the words still warm from being read.
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There are certain people in my life who didn't care to be in my book. And so I cut them out. And I had broken up with somebody. And I was, you know, really upset and depressed. And so that was, you know, reasons to keep going.
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Sometimes you read something and it's just -- it doesn't invite a reader....Sometimes you read something and it's not saying, 'oh come in, come in have a seat. I'm going to tell you what happened.' Perhaps my writing comes off as conversational...and that takes effort.
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It was my friend Frank, a writer in San Francisco, who finally set me straight. When asked about my new look he put down his fork and stared at me for a few moments. A bow tie announces to the world you can no longer get an erection.
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High school taught me a valuable lesson about glasses: Don't wear them. Contacts have always seemed like too much work, so instead I just squint, figuring that if something is more than ten feet away, I'll just deal with it when I get there.
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Art isn't about following the rules. It's about breaking them.
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Most movies, I forget about them while I'm watching them. I go every single day. But I've never thought about participating in any way. It's like being at home all day. It was never a goal to me.
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A zoo is a good place to make a spectacle of yourself, as the people around you have creepier, more photogenic things to look at.
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It makes me wonder sometimes. Remember a couple years ago, when Mexicans went on strike? It was talked about a little bit but not that much. But some old white people, and there aren't even that many, they put bonnets on, and then they control the news.
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It was the look you get when facing a sudden and insurmountable danger: the errant truck, the shaky ladder, the crazy person who pins you to the linoleum and insists, with increasing urgency, that everything you know and love can be undone by a grape.
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I would be writing and trying to write like Joan Didion. Or if I was reading Raymond Carver. You know, strong stylists. But that's how you find your voice, is imitating other people. So things like that didn't embarrass me, because I thought, well, that's how it goes. That's how everyone learns.
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I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it OK to cry.
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Perhaps the little Negro girl was holding a concealed razor blade. Maybe she was one of the troublemakers out for a fresh white scalp.
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