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The time that I would spend revisiting my old Get Your War On strips is more profitably spent Googling myself and reading comments about how people hate my pencil-sharpening business.

David Rees

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David Rees
Spend
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Sharpening
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I've always liked Richard Pryor. I've always responded to rhythmic profanity.
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The thing I hear about a lot is when people over-sharpen their pencil with a single-blade pocket-sharpener and then when they put the pencil to the page, their tip breaks and pencil points always break irregularly. It always gets all jagged and you have to refresh the point. That's a common complaint.
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Once you use a toothbrush to clean a pencil sharpener, you should no longer use it to clean your teeth.
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I have a really analytical approach to art. And the whole idea that you can't analyze what makes a joke funny...I do not agree with that at all.
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I was just worried that someone was gonna think that I had been commissioned by Jamba Juice to make cartoons about Jamba Juice. And the big thing for me was - if I'm not getting paid to sell out, I don't want people to think that I'm selling out.
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Just because something makes you smile or laugh ... doesn't mean it's a joke.
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I talked to people in the pencil industry and I talked to people as I was sharpening their pencils about the frustrations they have with pencils, so I really did do my research and I do know more about pencils than most people.
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I wanted to get paid to sharpen pencils originally just because I thought it would be fun.
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I don't think I would've ever dared dreaming of becoming a professional cartoonist. I wouldn't set myself up for that disappointment.
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I felt really conflicted about making money off stuff that's creatively satisfying.
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I didn't dare to dream of making money. But now of course, I've made many thousands of dollars sharpening pencils.
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Obviously, I never had to sketch anything out. To me, that was the appeal of working with clip art, working digitally. You make it and it's done.
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I hate self-publishing it's a real drag and it takes up a lot of space.
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I liked sharpening pencils and I was like, Oh, I wonder if I could get paid to do it. And I figured it out and I did it.
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To me, if you're lucky enough to make stuff that people will pay money for, do a good job. Really do a good job. Especially if you're talking about real stuff, like terror atrocities and human rights abuses and pencil-sharpening techniques.
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I would make a comic for Rolling Stone every two weeks, because they're biweekly. And then I would make weekly comics for my weekly papers. It was on two parallel tracks. And then they all got collected in a book.
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I don't like when performers rag on their ex-girlfriend or ex-boyfriend in absentia. If they're not there, it just feels rude... I'm never going to say anything personal about myself on stage. That's my new goal.
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I just wanted a really simple, dramatic way so that fans, people who were reading my comic, would be like, This is something different. Just to flag it, almost.
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The type of pop culture that is honestly very moving and powerful to me is [when artists] do their homework. They make it real.
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I'm not a professional comedian. Nobody comes to my comedy shows. That's just a little hobby.
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