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I've been really surprised about a lot of the negative comments about artisanal pencil sharpening. Like, it really rubs some people the wrong way.
David Rees
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More quotes by David Rees
Nobody could be a professional cartoonist, because you have to do something you don't like to do in order to be a responsible adult and pay the rent.
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The things I'm grateful for are: I had the one thing that I feel really lucky about, which is that I made something, I made art, that truly - in a weird way - truly comforted me and comforted a lot of people. And I'm really grateful that I got to have that experience.
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I'd always been really intimidated by prose writing.
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I was just worried that someone was gonna think that I had been commissioned by Jamba Juice to make cartoons about Jamba Juice. And the big thing for me was - if I'm not getting paid to sell out, I don't want people to think that I'm selling out.
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I don't think I would've ever dared dreaming of becoming a professional cartoonist. I wouldn't set myself up for that disappointment.
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I didn't dare to dream of making money. But now of course, I've made many thousands of dollars sharpening pencils.
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I feel like really thinking about art and really appreciating it and learning the language of it just makes you more of a connoisseur. I believe that.
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I felt really conflicted about making money off stuff that's creatively satisfying.
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Obviously, I never had to sketch anything out. To me, that was the appeal of working with clip art, working digitally. You make it and it's done.
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I liked sharpening pencils and I was like, Oh, I wonder if I could get paid to do it. And I figured it out and I did it.
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I have a really analytical approach to art. And the whole idea that you can't analyze what makes a joke funny...I do not agree with that at all.
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The way you make money is to do something you don't like to do. And that's how you know you're a virtuous person.
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I wanted to get paid to sharpen pencils originally just because I thought it would be fun.
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The type of pop culture that is honestly very moving and powerful to me is [when artists] do their homework. They make it real.
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I talked to people in the pencil industry and I talked to people as I was sharpening their pencils about the frustrations they have with pencils, so I really did do my research and I do know more about pencils than most people.
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I hardly ever use pencils. I'm left-handed and it's really messy if you're left-handed because of the graphite smudging. I use them more now than I used to because there's, like, 15,000 pencils all over my house.
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