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I talked to people in the pencil industry and I talked to people as I was sharpening their pencils about the frustrations they have with pencils, so I really did do my research and I do know more about pencils than most people.

David Rees

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David Rees
Talked
Frustration
Research
Industry
Really
Sharpening
People
Frustrations
Pencil
Pencils

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I felt really conflicted about making money off stuff that's creatively satisfying.
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I hardly ever use pencils. I'm left-handed and it's really messy if you're left-handed because of the graphite smudging. I use them more now than I used to because there's, like, 15,000 pencils all over my house.
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The type of pop culture that is honestly very moving and powerful to me is [when artists] do their homework. They make it real.
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I liked sharpening pencils and I was like, Oh, I wonder if I could get paid to do it. And I figured it out and I did it.
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I just wanted a really simple, dramatic way so that fans, people who were reading my comic, would be like, This is something different. Just to flag it, almost.
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I'm not a professional comedian. Nobody comes to my comedy shows. That's just a little hobby.
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I would make a comic for Rolling Stone every two weeks, because they're biweekly. And then I would make weekly comics for my weekly papers. It was on two parallel tracks. And then they all got collected in a book.
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Just because something makes you smile or laugh ... doesn't mean it's a joke.
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To me, if you're lucky enough to make stuff that people will pay money for, do a good job. Really do a good job. Especially if you're talking about real stuff, like terror atrocities and human rights abuses and pencil-sharpening techniques.
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I had good relationships with stores. And I was like, All right, I'll self-publish it. But I'm only going to do 1,000.
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Obviously, I never had to sketch anything out. To me, that was the appeal of working with clip art, working digitally. You make it and it's done.
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I don't think I would've ever dared dreaming of becoming a professional cartoonist. I wouldn't set myself up for that disappointment.
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Talking about my personal life onstage, I've realized I'm not one of those comics who can do that. I can allude to it but I don't want to be a confessional performer.
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I was just worried that someone was gonna think that I had been commissioned by Jamba Juice to make cartoons about Jamba Juice. And the big thing for me was - if I'm not getting paid to sell out, I don't want people to think that I'm selling out.
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I have a really analytical approach to art. And the whole idea that you can't analyze what makes a joke funny...I do not agree with that at all.
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The thing I hear about a lot is when people over-sharpen their pencil with a single-blade pocket-sharpener and then when they put the pencil to the page, their tip breaks and pencil points always break irregularly. It always gets all jagged and you have to refresh the point. That's a common complaint.
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Nobody could be a professional cartoonist, because you have to do something you don't like to do in order to be a responsible adult and pay the rent.
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I hate self-publishing it's a real drag and it takes up a lot of space.
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The way you make money is to do something you don't like to do. And that's how you know you're a virtuous person.
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