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I wanted to get paid to sharpen pencils originally just because I thought it would be fun.

David Rees

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David Rees
Sharpen
Originally
Pencils
Paid
Fun
Thought
Wanted
Would

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I just wanted a really simple, dramatic way so that fans, people who were reading my comic, would be like, This is something different. Just to flag it, almost.
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The time that I would spend revisiting my old Get Your War On strips is more profitably spent Googling myself and reading comments about how people hate my pencil-sharpening business.
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The thing I hear about a lot is when people over-sharpen their pencil with a single-blade pocket-sharpener and then when they put the pencil to the page, their tip breaks and pencil points always break irregularly. It always gets all jagged and you have to refresh the point. That's a common complaint.
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I have a really analytical approach to art. And the whole idea that you can't analyze what makes a joke funny...I do not agree with that at all.
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I talked to people in the pencil industry and I talked to people as I was sharpening their pencils about the frustrations they have with pencils, so I really did do my research and I do know more about pencils than most people.
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I would make a comic for Rolling Stone every two weeks, because they're biweekly. And then I would make weekly comics for my weekly papers. It was on two parallel tracks. And then they all got collected in a book.
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I feel like really thinking about art and really appreciating it and learning the language of it just makes you more of a connoisseur. I believe that.
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I hardly ever use pencils. I'm left-handed and it's really messy if you're left-handed because of the graphite smudging. I use them more now than I used to because there's, like, 15,000 pencils all over my house.
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To me, if you're lucky enough to make stuff that people will pay money for, do a good job. Really do a good job. Especially if you're talking about real stuff, like terror atrocities and human rights abuses and pencil-sharpening techniques.
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I've always liked Richard Pryor. I've always responded to rhythmic profanity.
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Talking about my personal life onstage, I've realized I'm not one of those comics who can do that. I can allude to it but I don't want to be a confessional performer.
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Obviously, I never had to sketch anything out. To me, that was the appeal of working with clip art, working digitally. You make it and it's done.
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I'd always been really intimidated by prose writing.
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I was just worried that someone was gonna think that I had been commissioned by Jamba Juice to make cartoons about Jamba Juice. And the big thing for me was - if I'm not getting paid to sell out, I don't want people to think that I'm selling out.
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I had good relationships with stores. And I was like, All right, I'll self-publish it. But I'm only going to do 1,000.
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I'm not a professional comedian. Nobody comes to my comedy shows. That's just a little hobby.
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Just because something makes you smile or laugh ... doesn't mean it's a joke.
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I felt really conflicted about making money off stuff that's creatively satisfying.
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I don't like when performers rag on their ex-girlfriend or ex-boyfriend in absentia. If they're not there, it just feels rude... I'm never going to say anything personal about myself on stage. That's my new goal.
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I've been really surprised about a lot of the negative comments about artisanal pencil sharpening. Like, it really rubs some people the wrong way.
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