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Talking about my personal life onstage, I've realized I'm not one of those comics who can do that. I can allude to it but I don't want to be a confessional performer.

David Rees

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David Rees
Performer
Onstage
Comics
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Personal
Talking
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Life
Confessional

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The type of pop culture that is honestly very moving and powerful to me is [when artists] do their homework. They make it real.
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Obviously, I never had to sketch anything out. To me, that was the appeal of working with clip art, working digitally. You make it and it's done.
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I'd always been really intimidated by prose writing.
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I feel like really thinking about art and really appreciating it and learning the language of it just makes you more of a connoisseur. I believe that.
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Nobody could be a professional cartoonist, because you have to do something you don't like to do in order to be a responsible adult and pay the rent.
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I've been really surprised about a lot of the negative comments about artisanal pencil sharpening. Like, it really rubs some people the wrong way.
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I hate self-publishing it's a real drag and it takes up a lot of space.
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I had good relationships with stores. And I was like, All right, I'll self-publish it. But I'm only going to do 1,000.
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Just because something makes you smile or laugh ... doesn't mean it's a joke.
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I just wanted a really simple, dramatic way so that fans, people who were reading my comic, would be like, This is something different. Just to flag it, almost.
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I have a really analytical approach to art. And the whole idea that you can't analyze what makes a joke funny...I do not agree with that at all.
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I don't like when performers rag on their ex-girlfriend or ex-boyfriend in absentia. If they're not there, it just feels rude... I'm never going to say anything personal about myself on stage. That's my new goal.
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The way you make money is to do something you don't like to do. And that's how you know you're a virtuous person.
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I was just worried that someone was gonna think that I had been commissioned by Jamba Juice to make cartoons about Jamba Juice. And the big thing for me was - if I'm not getting paid to sell out, I don't want people to think that I'm selling out.
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I talked to people in the pencil industry and I talked to people as I was sharpening their pencils about the frustrations they have with pencils, so I really did do my research and I do know more about pencils than most people.
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The things I'm grateful for are: I had the one thing that I feel really lucky about, which is that I made something, I made art, that truly - in a weird way - truly comforted me and comforted a lot of people. And I'm really grateful that I got to have that experience.
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I felt really conflicted about making money off stuff that's creatively satisfying.
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I liked sharpening pencils and I was like, Oh, I wonder if I could get paid to do it. And I figured it out and I did it.
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