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The holy trifecta of directing and filmmaking is character emotion, camera movement and music. When you hit those three, that's magical. That's what I'm trying to do.

David O. Russell

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David O. Russell
Age: 66
Born: 1958
Born: August 20
Film Director
Film Producer
Screenwriter
Writer
Manhattan borough
New York City
Character
Directing
Music
Magical
Trying
Camera
Cameras
Holy
Emotion
Movement
Three
Trifecta

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I suppose what I like about Zen is that the teachers are constantly questioning your insight and challenging it, looking for sloppiness or laziness in it, and ways you can go past that.
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Unhappy endings can be as cheap as happy endings.
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David O. Russell's best films are thrilling high wire acts that run the moment to moment risk of tumbling to the ground. In his latest, Joy, Russell has more trouble than usual keeping his balance on the wire.
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I think I land somewhere between Scorsese and Capra in what I'm drawn to emotionally I'm drawn to very intense emotion. Capra freaked people out when they saw Jimmy Stewart lose it in 'It's a Wonderful Life.
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The closer you stay to emotional authenticity and people, character authenticity, the less you can go wrong. That's how I feel now, no matter what you're doing.
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You know, you have Scorsese who worked with De Niro and - or DiCaprio. You have William Wyler who worked with Bette Davis. You have George Cukor who worked with Katharine Hepburn. I just - people get to be friends and then there's a - that's a - you can take risks together and each time out you take a different risk.
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What do we have in life, really? If we're lucky we get to a certain age, and we have each other. We have the food we like. We have our crazy little rituals. And we have each other.
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Life just happens the way it's supposed to happen. It delivers you to where it delivers you.
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I did a dance sequence in my second short film, which was my best short film, called 'Hairway to the Stars,' and I think Chris Wink, the founder of Blue Man Group, was in that. It's a black-and-white dance sequence. We were Glorious Food waiters together.
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It's not easy to follow Jesus' example, and if you go to church it doesn't mean you're automatically doing it.
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It's a closing of the mind that happens when you want to be lazy and go with the easiest answers, like the media do all the time in their sound bytes.
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I feel profoundly blessed. I feel it's a great privilege to make any motion picture.
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The cinema that I make is a cinema about people, emotion, humanity and passion. It's not just about what they struggle through, but what they live for. That's what I love. The music they love, the people they love, the clothing, the hair and the life that they love
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The gift of life is the gift to suffer sometimes and to embrace it, heartbreak and all.
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And that is also what the movie's about, going beyond success, what is success 'cause I think success is misperceived as just a cake and it isn't. There is many things inside that success. There's a maturity and a heartbreak and sadness and broken glass.
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I think if religion closes discussion or exchange of ideas or curiosity about other views, it's not true to its core.
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I was frustrated because I couldn't get going, as I was trying to figure out how to make films. I had various jobs, I taught a SAT class, I was a bartender, I had a day job at an office and was making short films.
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I make every movie and every scene like it could be my last. That's the only way I know how to make cinema that stands on its feet. I have to treat it like that. It has to be life and death stakes.
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I think film was my passion without it being declared like a job that I could have, or a career that I could have.
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Some of Jimmy Stewart's performance in 'It's A Wonderful Life' is some of the most disturbing performance he ever did, when he falls apart and when he breaks down.
David O. Russell