Before I start a project, I always ask myself the following question. Why is this book worth a year of my life? There needs to be something about the theme, the technique, or the research that makes the time spent on it worthwhile.

A thriller must be thrilling. A mystery may or may not be a thriller depending on how much breathless emotion it has, as opposed to cerebral calculation.

There are no inferior types of fiction, only inferior practitioners of them.

At their best, thrillers not only entertain. Ideally they also reflect the society in which they are set, analyzing our fears and how we perceive the world.

... What if? Through the alchemy of those two words, something new comes into the world.

You have to follow your own voice. You have to be yourself when you write. In effect, you have to announce, 'This is me, this is what I stand for, this is what you get when you read me. I'm doing the best I can - buy me or not - but this is who I am as a writer.

Your obligation as writers is to distinguish yourself. … The ultimate result should be a book that you write that no one else could have written.

To all librarians everywhere, God bless you.

His name was Rambo, and he was just some nothing kid for all anybody knew, standing by the pump of a gas station at the outskirts of Madison, Kentucky.