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Hitchcock denigrated American films, saying they were all 'pictures of people talking' - as, indeed, most of them are.

David Mamet

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David Mamet
Age: 76
Born: 1947
Born: November 30
Actor
Author
Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
Writer
Chicago
Illinois
David Alen Mamet
David Alan Mamet
Saying
Talking
American
Film
Denigrated
People
Hitchcock
Pictures
Indeed
Films

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In practice we, in the world, must do business with each other.
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We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.
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The surprise is half the battle. Many things are half the battle, losing is half the battle. Let's think about what's the whole battle.
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People only speak to get something.
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When you come into the theatre, you have to be willing to say, 'We're all here to undergo a communion, to find out what the hell is going on in this world.' If you're not willing to say that, what you get is entertainment instead of art, and poor entertainment at that.
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When I started out I was a failed actor.
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I don't have any experience with film schools. I suspect that they're useless, because I've had experience with drama schools, and have found them to be useless.
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The individual is not only best qualified to provide his own personal defense, he is the only one qualified to do so: and his right to do so is guaranteed by the Constitution.
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People ask me, 'What do you do?' And I tell them I'm a writer, but always with the silent reservation, 'I am, of course, not really a writer. Hemingway was a writer.'
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The audience requires not information but drama.
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The pain of losing is diverting. So is the thrill of winning. Winning, however, is lonelier, as those you've won money from are not likely to commiserate with you. Winning takes getting used to.
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I'm greedy and ambitious like everybody else.
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A dramatic experience concerned with the mundane may inform but it cannot release and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.
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Mixed martial arts was invented by Brazilians, whose families had been trained by the Japanese. Those Brazilians came to the U.S., where their invention was bought out, gussied up and presented to the world, which found it good.
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Blasphemy and prayer are one. Both assert the existence of a superior power. The first, however, with conviction.
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