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We Americans have always considered Hollywood, at best, a sinkhole of depraved venality. And, of course, it is. It is not a protective monastery of aesthetic truth. It is a place where everything is incredibly expensive.
David Mamet
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David Mamet
Age: 76
Born: 1947
Born: November 30
Actor
Author
Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
Writer
Chicago
Illinois
David Alen Mamet
David Alan Mamet
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Incredibly
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Venality
Always
Hollywood
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Protective
More quotes by David Mamet
All of us. All of us. We're doomed.
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Opportunity may knock, but it seldom nags.
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The honest man might observe... that no one gets something for nothing that politicians go in poor and go out rich that the Government screws up everything it touches and that the Will to Believe is best confined to the Religious Venue, as to practice it elsewhere is just too damned expensive.
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I'm greedy and ambitious like everybody else.
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One can read all one wants, and spend eternities in front of a blackboard with a tutor, but one is not going to learn to swim until one gets in the water.
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When we fear things I think that we wish for them ... every fear hides a wish
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IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.
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The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.
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Here's what happens in a play. You get involved in a situation where something is unbalanced. If nothing's unbalanced, there's no reason to have a play. If Hamlet comes home from school, and his dad's not dead and asks him if he's had a good time, it's boring. But if something's unbalanced, it must be returned to order.
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Invent nothing, deny nothing, speak up, stand up, stay out of school.
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They say the definition of ambivalence is watching your mother-in-law drive over a cliff in your new Cadillac.
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Make the audience wonder what's going on by putting them in the same position as the protagonist.
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We all hope. It's what keeps us alive.
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What we're trying to do is find two or more shots the juxtaposition of which will give us the idea.
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It is the writer’s job to make the play interesting. It is the actor’s job to make the performance truthful.
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The avant-garde is to the left what jingoism is to the right. Both are a refuge in nonsense.
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The Founders recognized that Government is quite literally a necessary evil, that there must be opposition, between its various branches, and between political parties, for these are the only ways to temper the individual's greed for power and the electorates' desires for peace by submission to coercion or blandishment.
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Put. That coffee. Down. Coffee's for closers only.
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The correct unit of study is not the play it is the scene.
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When you come into the theatre, you have to be willing to say, 'We're all here to undergo a communion, to find out what the hell is going on in this world.' If you're not willing to say that, what you get is entertainment instead of art, and poor entertainment at that.
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