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We Americans have always considered Hollywood, at best, a sinkhole of depraved venality. And, of course, it is. It is not a protective monastery of aesthetic truth. It is a place where everything is incredibly expensive.
David Mamet
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David Mamet
Age: 76
Born: 1947
Born: November 30
Actor
Author
Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
Writer
Chicago
Illinois
David Alen Mamet
David Alan Mamet
Americans
Monasteries
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Depraved
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Protective
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Aesthetic
Truth
Incredibly
Best
Expensive
Everything
Considered
Venality
Always
Hollywood
Monastery
More quotes by David Mamet
Being a writer in Hollywood is like going to Hitler's Eagle Nest with a great idea for a bar mitzvah.
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The terror and beauty of the dream come from the connection of previously unrelated mundanities of life.
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The purpose of technique is to free the unconscious. If you follow the rules ploddingly, they will allow your unconscious to be free.
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Old age and treachery will always beat youth and exuberance.
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Our job, as writers is to do our jobs.
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Characters on stage, like people in what we refer to as real life, do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
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I'm greedy and ambitious like everybody else.
David Mamet
If the scene bores you when you read it, rest assured it WILL bore the actors, and will then bore the audience, and we're all going to be back in the breadline.
David Mamet
I pray you indulge me for a space, for I am going to set out on a speech which may have some duration, but whose theme may be gleaned from its opening phrase: how dare you.
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The study of acting consists in the main of getting out of one’s own way, and in learning to deal with uncertainty and being comfortable being uncomfortable.
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Put. That coffee. Down. Coffee's for closers only.
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My dad was a labour lawyer, and the ideas that I grew up with - bad management, bad capitalism, robber barons - when I applied this to my own life, I saw that we are all on both sides of the coin.
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You don't know what life is. You know nothing.
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Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.
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When I started out I was a failed actor.
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All of us. All of us. We're doomed.
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For it is written that just as it is forbidden to partake of the forbidden, it is forbidden not to partake of the permitted.
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What we're trying to do is find two or more shots the juxtaposition of which will give us the idea.
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Many players will not improve because they cannot bear self-knowledge.
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One can read all one wants, and spend eternities in front of a blackboard with a tutor, but one is not going to learn to swim until one gets in the water.
David Mamet