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Do not internalize the industrial model. You are not one of the myriad interchangeable pieces, but a unique human being, and if you've got something to say, say it, and think well of yourself while you're learning to say it better.
David Mamet
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David Mamet
Age: 77
Born: 1947
Born: November 30
Actor
Author
Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
Writer
Chicago
Illinois
David Alen Mamet
David Alan Mamet
Think
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Wells
Myriad
Human
Industrial
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Models
Something
Unique
More quotes by David Mamet
Train yourself for a profession that does not exist.
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Encounter: Doubt, Shame, Humiliation. It will finally be worth it. Acting is more about courage than anything else.
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Fun is what you do for yourself. If somebody else does it, it's entertainment.
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The pain of losing is diverting. So is the thrill of winning. Winning, however, is lonelier, as those you've won money from are not likely to commiserate with you. Winning takes getting used to.
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I'm afraid of only two things: being lazy and being cowardly.
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Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.
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A dramatic experience concerned with the mundane may inform but it cannot release and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.
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When I started out I was a failed actor.
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Luck, if there is such a thing, is either going to favor everyone equally or going to exhibit a preference for the prepared.
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People only speak to get something.
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It is the writer’s job to make the play interesting. It is the actor’s job to make the performance truthful.
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I won't ever do e-mail.
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They have a desire to put on plays and to fulfill that traditional role of a theater in a community: to be the place where people go to hear the truth.
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You get rich through luck. You get rich through crime. You get rich through fulfilling the needs of another. You can be as greedy as you like. If you can’t do one of those three things, you ain’t going to get any money.
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You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
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Welcome to Chicago. This town stinks like a whorehouse at low tide.
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In a restaurant one is both observed and unobserved. Joy and sorrow can be displayed and observed unwittingly, the writer scowling naively and the diners wondering, What the hell is he doing?
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Let the cut tell the story. Otherwise you have not got dramatic action, you've got narration.
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Opportunity may knock, but it seldom nags.
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I don't have any experience with film schools. I suspect that they're useless, because I've had experience with drama schools, and have found them to be useless.
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