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Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.
David Mamet
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David Mamet
Age: 77
Born: 1947
Born: November 30
Actor
Author
Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
Writer
Chicago
Illinois
David Alen Mamet
David Alan Mamet
Character
Line
Couches
Writing
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Apparent
Trying
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Directions
Going
Stage
Aids
Lines
Theatre
Whether
Accomplish
Write
Moved
Tell
Case
Couch
More quotes by David Mamet
We must have a pie. Stress cannot exist in the presence of a pie.
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It's upsetting to be a man in our society.
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I understand that computers, which I once believed to be but a hermaphrodite typewriter-cum-filing cabinet, offer the cyber literate increased ability to communicate. I do not think this is altogether a bad thing, however it may appear on the surface.
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I didn't knowingly meet a conservative until, to my shame, I was 60 years old and sat down and said, 'Wow, I don't understand what this guy's talking about, but he has a great civility about him. Perhaps I better investigate this thing.'
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A good film script should be able to do completely without dialogue.
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The Israelis would like to live in peace within their borders the Arabs would like to kill them all.
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The Founders recognized that Government is quite literally a necessary evil, that there must be opposition, between its various branches, and between political parties, for these are the only ways to temper the individual's greed for power and the electorates' desires for peace by submission to coercion or blandishment.
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Blasphemy and prayer are one. Both assert the existence of a superior power. The first, however, with conviction.
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If you find that a point cannot be made without narration, it is virtually certain that the point is unimportant to the story (which is to say, to the audience).
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We cannot live in peace without Law. And though law cannot be perfect, it may be just if it is written in ignorance of the identity of the claimants and applied equally to all. Then it is a possession not only of the claimants but of the society, which may now base its actions upon a reasonable assumption of the law?s treatment.
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The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
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I love Superman. I'm a big fan of anyone who can make his living in his underwear.
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We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.
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I've been alienating my public since I was 20 years old.
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Life in the movie business is like the beginning of a new love affair: it's full of surprises, and you're constantly getting f***ed.
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A dramatic experience concerned with the mundane may inform but it cannot release and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.
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You can't rely on the acting to tell the story.
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The most charming of theories holds that someone other than Shakespeare wrote Shakespeare's plays -- that he was of too low a state, and of insufficient education. But where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated?
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Make the audience wonder what's going on by putting them in the same position as the protagonist.
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You know, I once read an interesting book which said that, uh, most people lost in the wilds, they, they die of shame. Yeah, see, they die of shame. 'What did I do wrong? How could I have gotten myself into this?' And so they sit there and they... die. Because they didn't do the one thing that would save their lives. Thinking.
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