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Before you can steal fire from the Gods you gotta be able to get coffee for the director.

David Mamet

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David Mamet
Age: 76
Born: 1947
Born: November 30
Actor
Author
Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
Writer
Chicago
Illinois
David Alen Mamet
David Alan Mamet
Able
Steal
Gotta
Stealing
Gods
Director
Coffee
Directors
Fire

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The mind is a mill which can incessant turn, 'til its mere operation focus the stress inward and the stones grind themselves to dust.
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If, indeed, a firearm were more dangerous to its possessors than to potential aggressors, would it not make sense for the government to arm all criminals, and let them accidentally shoot themselves? Is this absurd? Yes, and yet the government, of course, is arming criminals.
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It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.
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The honest man might observe... that no one gets something for nothing that politicians go in poor and go out rich that the Government screws up everything it touches and that the Will to Believe is best confined to the Religious Venue, as to practice it elsewhere is just too damned expensive.
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In my family, in the days prior to television, we liked to while away the evenings by making ourselves miserable, solely based on our ability to speak the language viciously.
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Do not internalize the industrial model. You are not one of the myriad interchangeable pieces, but a unique human being, and if you've got something to say, say it, and think well of yourself while you're learning to say it better.
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The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.
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American football seems to resemble soccer in that one scores by putting the ball through the opponent's goal but football, truly is about land. The Settlers want to move the line of scrimmage Westward, the Native Americans want to move it East.
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Blasphemy and prayer are one. Both assert the existence of a superior power. The first, however, with conviction.
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If You can't tell it to me in one sentence, they can't put it in TV Guide.
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In a restaurant one is both observed and unobserved. Joy and sorrow can be displayed and observed unwittingly, the writer scowling naively and the diners wondering, What the hell is he doing?
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We all hope. It's what keeps us alive.
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The audience requires not information but drama.
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Based on a true story is a come-on, the aesthetic equivalent of no loan request refused. For, at best, the creator has fashioned a film based on his understanding of, interpretation of, and reduction of the report of an actual occurrence.
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I was fortunate enough to have a rambling youth.
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You don't know what life is. You know nothing.
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I pray you indulge me for a space, for I am going to set out on a speech which may have some duration, but whose theme may be gleaned from its opening phrase: how dare you.
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Film is a collaborative business: bend over.
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People ask me, 'What do you do?' And I tell them I'm a writer, but always with the silent reservation, 'I am, of course, not really a writer. Hemingway was a writer.'
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I've always been fascinated by the picaresque.
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