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Mixed martial arts was invented by Brazilians, whose families had been trained by the Japanese. Those Brazilians came to the U.S., where their invention was bought out, gussied up and presented to the world, which found it good.
David Mamet
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David Mamet
Age: 76
Born: 1947
Born: November 30
Actor
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Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
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Chicago
Illinois
David Alen Mamet
David Alan Mamet
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More quotes by David Mamet
When you come into the theatre, you have to be willing to say, 'We're all here to undergo a communion, to find out what the hell is going on in this world.' If you're not willing to say that, what you get is entertainment instead of art, and poor entertainment at that.
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Policemen so cherish their status as keepers of the peace and protectors of the public that they have occasionally been known to beat to death those citizens or groups who question that status.
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We respond to a drama to that extent to which it corresponds to our dream life.
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I don't have any experience with film schools. I suspect that they're useless, because I've had experience with drama schools, and have found them to be useless.
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Encounter: Doubt, Shame, Humiliation. It will finally be worth it. Acting is more about courage than anything else.
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Invent nothing, deny nothing, speak up, stand up, stay out of school.
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Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.
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Being among my people is a delight. We Jews live among ourselves. I love it.
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Based on a true story is a come-on, the aesthetic equivalent of no loan request refused. For, at best, the creator has fashioned a film based on his understanding of, interpretation of, and reduction of the report of an actual occurrence.
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I've always been fascinated by the picaresque.
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The surprise is half the battle. Many things are half the battle, losing is half the battle. Let's think about what's the whole battle.
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I didn't knowingly meet a conservative until, to my shame, I was 60 years old and sat down and said, 'Wow, I don't understand what this guy's talking about, but he has a great civility about him. Perhaps I better investigate this thing.'
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Here is a sovereign talisman against regret: never do that which might engender it.
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Make the audience wonder what's going on by putting them in the same position as the protagonist.
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A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others.
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It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.
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Train yourself for a profession that does not exist.
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Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.
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Every scene should be able to answer three questions: Who wants what from whom? What happens if they don't get it? Why now?
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I love Superman. I'm a big fan of anyone who can make his living in his underwear.
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