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I've always been fascinated by the picaresque.

David Mamet

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David Mamet
Age: 77
Born: 1947
Born: November 30
Actor
Author
Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
Writer
Chicago
Illinois
David Alen Mamet
David Alan Mamet
Fascinated
Always

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The honest man might observe... that no one gets something for nothing that politicians go in poor and go out rich that the Government screws up everything it touches and that the Will to Believe is best confined to the Religious Venue, as to practice it elsewhere is just too damned expensive.
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I'm afraid of only two things: being lazy and being cowardly.
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We Americans have always considered Hollywood, at best, a sinkhole of depraved venality. And, of course, it is. It is not a protective monastery of aesthetic truth. It is a place where everything is incredibly expensive.
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I'm not the guy to ask about politics. I'm a gag writer.
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There is a profound and ineradicable taint of antisemitism in the British.
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I love Superman. I'm a big fan of anyone who can make his living in his underwear.
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When you come into the theatre, you have to be willing to say, 'We're all here to undergo a communion, to find out what the hell is going on in this world.' If you're not willing to say that, what you get is entertainment instead of art, and poor entertainment at that.
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I'm entitled to my political opinions, and I get to vote because I'm an American.
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The terror and beauty of the dream come from the connection of previously unrelated mundanities of life.
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The audience requires not information but drama.
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One can read all one wants, and spend eternities in front of a blackboard with a tutor, but one is not going to learn to swim until one gets in the water.
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A dramatic experience concerned with the mundane may inform but it cannot release and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.
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We respond to a drama to that extent to which it corresponds to our dream life.
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The most charming of theories holds that someone other than Shakespeare wrote Shakespeare's plays -- that he was of too low a state, and of insufficient education. But where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated?
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When we fear things I think that we wish for them ... every fear hides a wish
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American football seems to resemble soccer in that one scores by putting the ball through the opponent's goal but football, truly is about land. The Settlers want to move the line of scrimmage Westward, the Native Americans want to move it East.
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You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
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The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
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We're all put to the test... but it never comes in the form or at the point we would prefer, does it?
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If the scene bores you when you read it, rest assured it WILL bore the actors, and will then bore the audience, and we're all going to be back in the breadline.
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